"Phase 1" by Howard Riley, Keith Tippett, Barry Guy, John Stevens had its release date on May 18, 1981. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 11 in Facets by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Phase 1 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Phase 1 by Howard Riley, Keith Tippett, Barry Guy, John Stevens is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Remembering Mingus at Music Inn | Tom Harrell | D Major | 5 | 10B | 109 BPM | ||
| Silent Spring | Gary Burton Quintet, Eberhard Weber | G Minor | 1 | 6A | 47 BPM | ||
| Ben | Xavi Torres, Ben van Gelder | G Major | 1 | 9B | 97 BPM | ||
| Polaroid Memory | Sebastian Weiss, Bob Bowen III, Dan Weiss | D♭ Major | 4 | 3B | 147 BPM | ||
| Simple & Sweet | Bobo Stenson Trio | A Major | 2 | 11B | 138 BPM | ||
| Flowers for Jorge | João Paulo Esteves da Silva, Julián Argüelles, Rodrigo Correia, José Salgueiro | E♭ Major | 0 | 5B | 105 BPM | ||
| Decent Revolt | Henri Texier, Sébastien Texier, Hermon Mehari, Emmanuel Borghi, Gautier Garrigue | F♯ Major | 4 | 2B | 109 BPM | ||
| Estate | BeastyBass | D Major | 0 | 10B | 139 BPM | ||
| Round Midnight | Howard Riley | F♯ Major | 2 | 2B | 61 BPM | ||
| Ernies Tune | Copenhagen Jazzexperience, Jacob Christoffersen, Claus Waidtløw | C Major | 3 | 8B | 94 BPM | ||
| Prelude for George | Cyrus Chestnut | D♭ Major | 3 | 3B | 105 BPM | ||
| 24 Jazz Preludes, Op. 53: No. 17, Allegretto | Nikolai Kapustin, Ophelia Gordon | F Minor | 3 | 4A | 77 BPM | ||
| Always Love | R&R, Howard Riley, Terrence Richburg | D♭ Major | 4 | 3B | 78 BPM | ||
| Gomme | Markus Stockhausen, Ferenc Snétberger, Arild Anderson | D Major | 7 | 10B | 117 BPM | ||
| So Je So Ru I | Daniel Platzman Quintet | G Major | 5 | 9B | 95 BPM | ||
| Theme for Mark | Abdullah Ibrahim | F♯ Major | 0 | 2B | 136 BPM | ||
| Olympus | Simon Moullier | E Major | 5 | 12B | 77 BPM | ||
| If You Look | Arild Andersen, Naná Vasconcelos, Audun Kleive | A Minor | 3 | 8A | 108 BPM | ||
| Always Positive | Walt Dickerson, Richard Davis | D Major | 1 | 10B | 137 BPM | ||
| Motherhood | Caelan Cardello | B Major | 0 | 1B | 116 BPM | ||
| Corner Meadow | George Haslam, Howard Riley, Marcio Mattos, Paul Rutherford, Tony Marsh | A Minor | 4 | 8A | 87 BPM | ||
| Schichtungen 5 | Herr Stabel, Sebastian Deufel | F♯ Major | 1 | 2B | 82 BPM | ||
| Lady Day | Charles Lloyd | D♭ Major | 2 | 3B | 97 BPM | ||
| Comfort Station | Jeremy Cunningham, Dustin Laurenzi, Paul Bryan | D♭ Major | 5 | 3B | 160 BPM | ||
| La Vuelta | Sergio Mihanovich, Gato Barbieri | A♭ Major | 1 | 4B | 129 BPM |