Ryo Natoyama's ' "やさしさに包まれたなら (Instrumental)" was released on its scheduled release date, July 29, 2020. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 16 in Best Ukulele Covers J-songs for the World by Ryo Natoyama. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, やさしさに包まれたなら (Instrumental) is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of やさしさに包まれたなら (Instrumental) by Ryo Natoyama is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ロマンスグレー | コーコーヤ | G Minor | 3 | 6A | 131 BPM | ||
| 長い間 | Noriyasu Takeuchi | D Major | 1 | 10B | 117 BPM | ||
| Always with Me (From “Spirited Away”) | Tifita | F Major | 2 | 7B | 119 BPM | ||
| 千と千尋の神隠し組曲(V. いつも何度でも) | Orita Nobotta, Siena Wind Orchestra | F Major | 2 | 7B | 87 BPM | ||
| えんぴつと五線譜 | Kotaro Oshio | G Major | 4 | 9B | 122 BPM | ||
| Headroom | Aurélien Trigo | A Major | 1 | 11B | 126 BPM | ||
| Ashitaka and San - Princess Mononoke | Owaru | D♭ Major | 2 | 3B | 175 BPM | ||
| 食卓 | Yuma Yamaguchi | G Major | 0 | 9B | 98 BPM | ||
| いつか思い出す | 広橋真紀子 | D Minor | 1 | 7A | 60 BPM | ||
| Hikoukigumo (ひこうき雲) | Hugo Vázquez | E♭ Major | 4 | 5B | 152 BPM | ||
| Flower Nap | Monoman | D Minor | 2 | 7A | 100 BPM | ||
| ちょっとした幸せ | Kuricorder Quartet | C Major | 1 | 8B | 121 BPM | ||
| サクラ咲ク | Takeshi Senoo | A Minor | 9 | 8A | 145 BPM | ||
| タイニー・バブルス | Ryo Natoyama | G Major | 2 | 9B | 120 BPM | ||
| 白浜音頭 -Future Trax- | 朝倉さや, Ryo Natoyama | A Major | 7 | 11B | 100 BPM | ||
| 男はつらいよ | Takeshi Senoo | G Major | 3 | 9B | 81 BPM | ||
| Whisper of Rain | No.9 | A Major | 5 | 11B | 170 BPM | ||
| Inspiration | Kevin Penkin | F Major | 3 | 7B | 140 BPM | ||
| Sincere Feelings, One Rainy Day and Haruhi's Thoughts from the Melancholy of Haruhi Suzumiya (feat. Jem Harding) | Eminence Symphony Orchestra, Jem Harding | A Major | 1 | 11B | 84 BPM | ||
| 海の見える街 | Meine Meinung | G Major | 4 | 9B | 112 BPM | ||
| Dire, Dire Docks & Jolly Roger Bay (From "Super Mario 64") | Extra Lives | C Major | 2 | 8B | 168 BPM | ||
| リラックマとカオルさんのテーマ | Shigeru Kishida | E♭ Major | 4 | 5B | 135 BPM | ||
| カントリー・ロード | Japan Ground Self Defense Force Central Band, 武田晃 | D Major | 1 | 10B | 144 BPM | ||
| 手紙が届けてくれたもの | Schroeder-Headz | A Major | 3 | 11B | 96 BPM | ||
| Peppermint Tea | Chance Thrash | A♭ Minor | 0 | 1A | 129 BPM |