Ranbir's ' "12 Saal Piche Tarachand Part 4" was released on its scheduled release date, July 24, 2021. This song is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The track order of this song in Ranbir's "Kissa Seth Tarachand Vol 2" album is number 1 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, 12 Saal Piche Tarachand Part 4's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 12 Saal Piche Tarachand Part 4 by Ranbir to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| To Lae Maryo Tho Wayan | Urs Chandio | G Major | 8 | 9B | 107 BPM | ||
| Satya Kyu Kare Part 1 | Pale Ram, Rajender Kharkiya, Ranbir, Veerpal, Satty | D♭ Minor | 9 | 12A | 78 BPM | ||
| Ek Ladka Apni Sasural Part 10 | Ranbir, Veerpal, Sunil, Rakesh, Ompal Kharkiy | D Minor | 4 | 7A | 119 BPM | ||
| KYU? | Bass-sick Taz, Ranbir, Shubh | A Major | 4 | 11B | 90 BPM | ||
| Mat Tohmad Lave | Azad Singh Khandakhedi | D Major | 7 | 10B | 85 BPM | ||
| Januaa Jali Sasural | Golu Raja | F♯ Major | 6 | 2B | 116 BPM | ||
| Balaji Kad Milwaoge | Narendra Kaushik | B Major | 9 | 1B | 128 BPM | ||
| Sajan Ke Ghar Jana | Rajender Singh Kharkiya | A♭ Major | 7 | 4B | 110 BPM | ||
| Khol Ke Kiwad Bad Gaya Bhabhi | Rajender Singh Kharkiya, Madhu Sharma | E Minor | 7 | 9A | 113 BPM | ||
| Chandra Gupta Dekh Ke Part 1 | Satbit, Pale Ram, Rajender, Ranbir | D♭ Major | 3 | 3B | 119 BPM | ||
| Baba Jotram Aaj Kamal Ho Gaya | Sumit Kalanaur | A♭ Minor | 9 | 1A | 116 BPM | ||
| Kaya Vavar Ma Kanad Paani Legai Kanha | Sagar Deshmukh | E♭ Major | 7 | 5B | 155 BPM | ||
| Chondo Haeen Preen | Fozia Soomro | F Minor | 7 | 4A | 102 BPM | ||
| Kaha Gaye Pase Kaha Gaya Beta | Satpal Dosa, Mainpal Baseda | G Major | 7 | 9B | 143 BPM | ||
| RAGHUVIRA | Thulasi | D Minor | 6 | 7A | 120 BPM | ||
| Utar Bichchhoo | Koshinder Khadana, Rishipal, Satapal Dosa, Karmpal, Bhrampal, Manju Sharma | B Major | 6 | 1B | 148 BPM | ||
| Sita Ram Sita Ram Kahiye | Rudraa | D♭ Major | 8 | 3B | 147 BPM | ||
| Somvati Ne Kya Bataya Part 7 | Ravinder, Ranbir, Pale Ram, Satbir, Dayanand | D♭ Major | 7 | 3B | 188 BPM | ||
| Malik Tere Hath Bade Hai | Brijesh Shastri | G Major | 7 | 9B | 123 BPM | ||
| Kehne Laga Sasu Ji Part 2 | Satbir, Ranbir, Rajinder, Bali Sharma, Surender | E Minor | 8 | 9A | 77 BPM | ||
| Tu Apne Me Laga Rahe Part 7 | Pale Ram, Ranbir | F♯ Major | 8 | 2B | 81 BPM | ||
| Khaud Manas Ki | Sumit Kalanaur | A♭ Major | 8 | 4B | 134 BPM | ||
| Sriman Narayan Hari Hari | Vishal Khera | B♭ Minor | 7 | 3A | 89 BPM | ||
| Ke Apna He Gajab Part 9 | Satbir, Pale Ram, Ranbir | E Major | 3 | 12B | 111 BPM | ||
| Maan Ka Maniya | Ranbir | A♭ Minor | 4 | 1A | 148 BPM |