"Seeking Trinity Crescent" by Sarah Warne had its release date on January 1, 1900. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Seeking Trinity Crescent's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sarah Warne's "Humans Series 2 & 3 (Original Television Soundtrack)" album is number 24 out of 34. On top of that, United Kingdom appears to be the country where this track was created. Seeking Trinity Crescent is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Seeking Trinity Crescent by Sarah Warne to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arresting Development | David Buckley | C Minor | 1 | 5A | 127 BPM | ||
| Sara’s Theme | Ralf Hildenbeutel | F Minor | 5 | 4A | 90 BPM | ||
| Protean, Pt. 1: Prelude | Berend Salverda | D Minor | 6 | 7A | 110 BPM | ||
| Barcodes | Dave Porter | C Major | 1 | 8B | 74 BPM | ||
| Natalidad | Almas Paralelas | D♭ Minor | 2 | 12A | 90 BPM | ||
| Chasing the Love of Strangers | Jeff Danna | C Minor | 1 | 5A | 69 BPM | ||
| The Shining Truth | Luke Richards | A Minor | 4 | 8A | 75 BPM | ||
| Introduction / Basem | Alex Baranowski | D Major | 1 | 10B | 124 BPM | ||
| Acqua E Sangue | Sagrifizio | E Minor | 6 | 9A | 96 BPM | ||
| Tecnologia Punta | Formas Correctas | G Minor | 2 | 6A | 130 BPM | ||
| Aphiea | Anna Berg | C Minor | 1 | 5A | 77 BPM | ||
| Corrupted Light | David Buckley | C Minor | 1 | 5A | 127 BPM | ||
| Set You Free | Sarah Warne | A Minor | 2 | 8A | 65 BPM | ||
| Elemental Power | James Davies, Sarah Warne | A Minor | 7 | 8A | 120 BPM | ||
| Robots Chase | Arnaud Toulon | C Major | 1 | 8B | 64 BPM | ||
| Eloquent Leader | Sofia degli Alessandri | F Major | 1 | 7B | 160 BPM | ||
| Tarchon and Achillia | Joseph Loduca | C Minor | 1 | 5A | 127 BPM | ||
| Is that Mr. Mitchell | Justin Slaughter | D Minor | 0 | 7A | 73 BPM | ||
| The Path Ahead | Chris Roe | E Minor | 1 | 9A | 100 BPM | ||
| Inventa lege, inventa fraude | Corpus Dominix | A♭ Minor | 1 | 1A | 73 BPM | ||
| Benji's Speech | Rupert Gregson-Williams | D Major | 2 | 10B | 140 BPM | ||
| Correction | Ian Arber, Dave Rowntree | E Minor | 1 | 9A | 155 BPM | ||
| Future | Nizerus | A♭ Major | 1 | 4B | 130 BPM | ||
| Answering the Siren Call | Michael Abels | C Major | 0 | 8B | 87 BPM | ||
| Rob's Journey | Federico Jusid | A Minor | 1 | 8A | 64 BPM |