"大阪で生まれた女 - シングル・バージョン" by BORO had its release date on August 1, 1979. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 大阪で生まれた女, so we believe that "大阪で生まれた女 - シングル・バージョン" is a single. Based on our statistics, 大阪で生まれた女 - シングル・バージョン's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 大阪で生まれた女 - シングル・バージョン by BORO is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 北の螢 | Shinichi Mori | E♭ Minor | 4 | 2A | 70 BPM | ||
| もう一度逢いたい | Aki Yashiro | F♯ Major | 6 | 2B | 95 BPM | ||
| きみの朝 | Satoshi Kishida | G Major | 3 | 9B | 84 BPM | ||
| 愛という名のもとに(single / 1992) | Shogo Hamada | C Major | 5 | 8B | 71 BPM | ||
| 雨の物語 | Iruka | B Minor | 5 | 10A | 117 BPM | ||
| 池上線 | Mieko Nishijima | A Minor | 2 | 8A | 111 BPM | ||
| うそのない言葉 | BORO | G Major | 6 | 9B | 140 BPM | ||
| Kono Sora wo Tobetara | Naoko Ken | D Major | 3 | 10B | 131 BPM | ||
| 心のこり | Takashi Hosokawa | A♭ Major | 5 | 4B | 129 BPM | ||
| 野に咲く花のように | Da Capo | C Major | 4 | 8B | 96 BPM | ||
| グッド・ナイト・ベイビー | The King Tones | B♭ Major | 4 | 6B | 97 BPM | ||
| 危険なふたり | Kenji Sawada | E Major | 7 | 12B | 146 BPM | ||
| シンデレラ サマー | 石川優子 | F♯ Major | 8 | 2B | 111 BPM | ||
| そんな夕子にほれました | 増位山太志郎 | F♯ Major | 4 | 2B | 102 BPM | ||
| 北の漁場 | Saburo Kitajima | B Major | 6 | 1B | 132 BPM | ||
| 夜霧のハウスマヌカン | Yaya | D Minor | 3 | 7A | 80 BPM | ||
| Rock'n'roll Good-bye | Seiko Matsuda | D Major | 9 | 10B | 137 BPM | ||
| Mado Glass | Naoko Ken | D Major | 3 | 10B | 131 BPM | ||
| 曼珠沙華 | Momoe Yamaguchi | B♭ Minor | 7 | 3A | 136 BPM | ||
| 雨のエア・ポート | FeiFei Ou-Yang | B Minor | 6 | 10A | 148 BPM | ||
| 天までとどけ | Masashi Sada | D Minor | 4 | 7A | 118 BPM | ||
| 酒と泪と男と女 | Eigo Kawashima | F Major | 1 | 7B | 126 BPM | ||
| 海は恋してる | The Rigannies | D♭ Major | 3 | 3B | 81 BPM | ||
| ダンスはうまく踊れない | Seri Ishikawa | C Minor | 4 | 5A | 75 BPM | ||
| 想い出ぼろぼろ | Yasuko Naito | G Minor | 8 | 6A | 153 BPM |