On 2000, the song "Don't Come Knockin'" was released by Mark Cook. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 12 in An Evening With The Blues by Mark Cook. In terms of popularity, Don't Come Knockin' is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Don't Come Knockin' by Mark Cook is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Devil on My Trail - Instrumental Version | Red Revision | A Major | 5 | 11B | 93 BPM | ||
| Saturday Sun | Maragold | A♭ Minor | 9 | 1A | 123 BPM | ||
| It'll All Come Around | Back Door Slam, Davy Knowles | D♭ Major | 9 | 3B | 123 BPM | ||
| I'm Wicked | Otis | G Major | 8 | 9B | 100 BPM | ||
| Blue Voodoo | Mark Cook | D Major | 8 | 10B | 145 BPM | ||
| Baby Don't Be so Unkind | Lorraine O'Reilly, Russell Crowe | G Major | 8 | 9B | 100 BPM | ||
| Meter Maid | Scott Henderson | B Major | 7 | 1B | 103 BPM | ||
| Gone... (Like a Sunset) | Johnny A. | A Major | 9 | 11B | 127 BPM | ||
| Giant Free Fall | Dann Huff | E Minor | 7 | 9A | 120 BPM | ||
| Can't Lose 'Em All | Devon Allman | E Minor | 8 | 9A | 99 BPM | ||
| Brain Freeze | Mark Cook | D♭ Major | 10 | 3B | 110 BPM | ||
| Hammer & Chisel | Altered Five Blues Band | G Major | 8 | 9B | 100 BPM | ||
| Old No.7 | Andreas Rydman | D Major | 7 | 10B | 124 BPM | ||
| Get Your Ass in the Van | Albert Castiglia | D Major | 10 | 10B | 118 BPM | ||
| Evil | Laurence Jones | D♭ Major | 8 | 3B | 118 BPM | ||
| Red Label | Danny Gatton | A Major | 9 | 11B | 98 BPM | ||
| Hellcats Take the Highway | Steve Stevens | A♭ Major | 10 | 4B | 188 BPM | ||
| The Sledgehammer | Velvet Rae | G Major | 8 | 9B | 100 BPM | ||
| Dark Love | Quinn Sullivan | G Major | 10 | 9B | 125 BPM | ||
| Electric Labyrinths | EPV RECORDS | G Major | 7 | 9B | 135 BPM | ||
| Takes a Real Man | Back Door Slam, Davy Knowles | D♭ Minor | 7 | 12A | 176 BPM | ||
| They Call Me The Chief | Eddy Clearwater | A Major | 9 | 11B | 168 BPM | ||
| Ten Thousand Watts | Altered Five Blues Band | A Minor | 9 | 8A | 96 BPM | ||
| Never Enough | Wild Adriatic | E Major | 8 | 12B | 159 BPM | ||
| Rip Roaring | Jan Cyrka, Guthrie Govan | G Major | 8 | 9B | 120 BPM |