Don Henley's 'Too Much Pride' had a release date set for September 25, 2015. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 16 in Cass County (Deluxe) by Don Henley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Too Much Pride is currently below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Too Much Pride by Don Henley is Presto (very, very fast), since this song has a tempo of 198 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Will You Still Love Me Tomorrow? | Dave Mason | G Major | 6 | 9B | 108 BPM | ||
| Stand a Little Rain | Nitty Gritty Dirt Band | A Major | 3 | 11B | 77 BPM | ||
| Where Were You Last Night? | Traveling Wilburys | D Major | 8 | 10B | 120 BPM | ||
| Starting A Rumor | Delbert McClinton & The Dick50 | G Major | 4 | 9B | 144 BPM | ||
| A Place in the Line | Jude Cole | F♯ Major | 4 | 2B | 104 BPM | ||
| Second Sight | Billy Flyers | C Major | 7 | 8B | 168 BPM | ||
| 14 Steps to Harlem | Garland Jeffreys | C Major | 5 | 8B | 82 BPM | ||
| Crow - Live | Dan Fogelberg | F Major | 5 | 7B | 121 BPM | ||
| The Wrong Folks Noticed Me | Dusty Boom | C Minor | 5 | 5A | 133 BPM | ||
| Go Home, Girl | Ry Cooder | E♭ Major | 2 | 5B | 115 BPM | ||
| The Challenge | Christine McVie | E Major | 8 | 12B | 119 BPM | ||
| You've Changed My Mind | Bonnie Raitt | B Major | 2 | 1B | 101 BPM | ||
| Loving You Makes Me A Better Man | Hal Ketchum | A Major | 3 | 11B | 95 BPM | ||
| Waiting Tables | Don Henley | G Major | 5 | 9B | 109 BPM | ||
| Golden Days | Graham Nash | D Major | 1 | 10B | 129 BPM | ||
| Sadder Days | Robert Cray, The Robert Cray Band | E Major | 6 | 12B | 106 BPM | ||
| Just Remember I Love You | Firefall | C Major | 8 | 8B | 116 BPM | ||
| Look at You | Kenny Rogers | E♭ Major | 3 | 5B | 78 BPM | ||
| Inside Job | Don Henley | E Minor | 8 | 9A | 80 BPM | ||
| Hold Back The Dawn | Robbie Robertson | G Major | 4 | 9B | 88 BPM | ||
| Breaking Apart | Chris Isaak, Trisha Yearwood | E Major | 5 | 12B | 118 BPM | ||
| She's $$$ | Kenny Wayne Shepherd | G Major | 9 | 9B | 181 BPM | ||
| Words | Paul Young | C Major | 7 | 8B | 168 BPM | ||
| One Day At A Time | Joe Walsh | D Major | 9 | 10B | 120 BPM | ||
| Far Too Close | Per Gessle, Savannah Church | G Major | 3 | 9B | 163 BPM |