Scarypoolparty's 'Vampire Shade' had a release date set for November 22, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 12 in Exit Form by Scarypoolparty. In terms of popularity, Vampire Shade is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Vampire Shade by Scarypoolparty is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Two Days - Acoustic | Aviations | D Major | 4 | 10B | 81 BPM | ||
| Forever & Always | MARO | A Minor | 5 | 8A | 155 BPM | ||
| Makeweight | Hailaker | D♭ Major | 5 | 3B | 78 BPM | ||
| Staring at a Telephone | Stephen Day | B Minor | 5 | 10A | 110 BPM | ||
| Where Will We Go | Grant | B Major | 5 | 1B | 150 BPM | ||
| Real | Unprocessed, Tim Henson, Clay Gober | E Minor | 8 | 9A | 132 BPM | ||
| Love Could End | Gatton | B Major | 3 | 1B | 113 BPM | ||
| Not That Far Away | Jordan Moyes | E Major | 2 | 12B | 72 BPM | ||
| Blu - Acoustic | Jon Bellion | C Major | 3 | 8B | 150 BPM | ||
| Fading Away | Alejandro Aranda | E♭ Major | 6 | 5B | 90 BPM | ||
| At Home | Jon Bryant | B Major | 5 | 1B | 74 BPM | ||
| Miracle Love | Matt Corby | G Major | 6 | 9B | 136 BPM | ||
| High Hope | Patrick Droney | C Major | 5 | 8B | 132 BPM | ||
| To Be Alone With You | Michigander | E♭ Major | 1 | 5B | 117 BPM | ||
| Magnificent | Oh Wonder | A Major | 7 | 11B | 95 BPM | ||
| Growing on You | The Story So Far | D Major | 7 | 10B | 130 BPM | ||
| The Weather (Acoustic) | Lawrence | D♭ Major | 3 | 3B | 78 BPM | ||
| Loti | Eidola | A Minor | 8 | 8A | 117 BPM | ||
| Way Up Here | Lydia | F♯ Minor | 4 | 11A | 131 BPM | ||
| i got so much to tell you | Nightly | C Major | 5 | 8B | 183 BPM | ||
| Portland, Maine | Donovan Woods | E Major | 3 | 12B | 80 BPM | ||
| Revelator Eyes | The Paper Kites | A♭ Major | 7 | 4B | 153 BPM | ||
| Memory Fiction | ERRA | F Major | 9 | 7B | 120 BPM | ||
| Oceans (Philosophical Sessions) | Jacob Lee | B♭ Minor | 5 | 3A | 160 BPM | ||
| Drag Me Under | Sleep Token | B♭ Minor | 2 | 3A | 120 BPM |