Earl Hines's ' "Runnin' Wild" was released on its scheduled release date, 1964. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Runnin' Wild's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 12 in Fatha by Earl Hines. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Runnin' Wild is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Runnin' Wild by Earl Hines is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll Build A Stairway To Paradise | Eddie Condon | B♭ Major | 5 | 6B | 123 BPM | ||
| Wham | Johnny Hodges & His Orchestra | C Major | 4 | 8B | 143 BPM | ||
| Rockin' In Rhythm | Clark Terry | F Minor | 4 | 4A | 168 BPM | ||
| Bohemia After Dark | Oscar Pettiford | G Minor | 4 | 6A | 90 BPM | ||
| The Gal From Joe's | Charlie Barnet | E♭ Major | 6 | 5B | 92 BPM | ||
| Deep forest | Earl Hines | D♭ Major | 2 | 3B | 150 BPM | ||
| Prelude To A Kiss | Bobby Timmons | A Minor | 1 | 8A | 75 BPM | ||
| A Porter's Love Song To A Cham | James P. Johnson | F Minor | 1 | 4A | 101 BPM | ||
| God Bless My Solo | Illinois Jacquet | A♭ Major | 4 | 4B | 94 BPM | ||
| In a Mellotone - Remastered | Duke Ellington | D♭ Major | 3 | 3B | 127 BPM | ||
| I Can't Believe That You're in Love with Me (feat. Lars Edegran's Jazz Band) | Doc Cheatham, Sammy Price, Lars Edegran's Jazz Band | B♭ Major | 4 | 6B | 167 BPM | ||
| Stompin' At The Savoy - 1956 Version | Teddy Wilson | F♯ Major | 3 | 2B | 82 BPM | ||
| Big Boy | Bix Beiderbecke | G Minor | 3 | 6A | 71 BPM | ||
| Topsy | Lee Konitz, Warne Marsh | B♭ Minor | 2 | 3A | 81 BPM | ||
| Way Down Yonder in New Orleans | Bix Beiderbecke | G Major | 3 | 9B | 142 BPM | ||
| Laura | Clifford Brown | G Major | 1 | 9B | 133 BPM | ||
| Smoke Gets In Your Eyes | Clifford Brown | F Major | 1 | 7B | 139 BPM | ||
| Don't Get Around Much Anymore | Johnny Hodges, Billy Strayhorn | D♭ Major | 3 | 3B | 102 BPM | ||
| Weather Bird | Louis Armstrong, Earl Hines | E♭ Major | 2 | 5B | 122 BPM | ||
| What Is This Thing Called Love? - Instrumental | Red Garland Trio | D Minor | 4 | 7A | 112 BPM | ||
| Blue Drag | Earl Hines | G Minor | 3 | 6A | 140 BPM | ||
| Junior Hop | Johnny Hodges & His Orchestra | F Major | 2 | 7B | 138 BPM | ||
| Margie | Jimmie Lunceford | B Minor | 2 | 10A | 143 BPM | ||
| Afternoon in Paris | Phineas Newborn Jr. | A♭ Major | 2 | 4B | 118 BPM | ||
| Bluesville | Kenny Drew | F Minor | 2 | 4A | 163 BPM |