- BPM
- 92
- Key
- D♭ Major
- Camelot
- 3B
Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen by Richard Strauss, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano Song Details
"Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen" by Richard Strauss, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano had its release date on April 2, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Strauss: Four Last Songs; Final Scenes". In this album, this song's track order is #6. In terms of popularity, Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen by Richard Strauss, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 24%
- Loudness
- -19.397 dB
- Acousticness
- 96%
- Danceability
- 14%
- Energy
- 9%
- Instrumentalness
- 20%
- Liveness
- 10%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mascagni: Cavalleria rusticana: "Voi lo sapete, o mamma" (Santuzza, Lucia) | Pietro Mascagni, Riccardo Muti, Astrid Varnay, Montserrat Caballé, Philharmonia Orchestra | E Major | 1 | 12B | 80 BPM | |
 | Verdi: Messa da Requiem: VIII. Recordare | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | |
 | L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn" | George Frideric Handel, Lucy Crowe, Mark Padmore, The English Concert, Andrew Manze | A Major | 1 | 11B | 84 BPM | |
 | Werther / Act 3: "Pourquoi me réveiller, ô souffle du printemps?" | Jonas Kaufmann, Jules Massenet, Prague Philharmonic Orchestra, Marco Armiliato | F♯ Minor | 3 | 11A | 89 BPM | |
 | La fille du régiment / Act 1: Rataplan, rataplan, rataplan | Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 6 | 12B | 127 BPM | |
 | Ariadne auf Naxos, Op. 60 / Opera: Ein Schönes war: hiess Theseus - Ariadne | Richard Strauss, Deborah Voigt, Eva Kirchner, Natalie Dessay, Christiane Hossfeld, Andris Liepa, Stephan Genz, Ian Thompson, Sami Luttinen, Staatskapelle Dresden, Giuseppe Sinopoli | F Minor | 1 | 4A | 84 BPM | |
 | Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 2) Introduction, Scene and Aria. "Nu, shto zhe?" - "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | |
 | Requiem, Op. 48: 1. Introitus: Requiem aeternam - Kyrie | Gabriel Fauré, The Monteverdi Choir, Salisbury Cathedral Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | B♭ Major | 0 | 6B | 74 BPM | |
 | Rossini: Petite messe solennelle: VIII. Cum Sancto Spiritu | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 112 BPM | |
 | Verdi: Aida, Act 2: "Chi mai fra gl'inni e i plausi" (Coro, Amneris) | Giuseppe Verdi, Riccardo Muti, Chorus of the Royal Opera House, Covent Garden, Fiorenza Cossotto, New Philharmonia Orchestra | G Minor | 1 | 6A | 88 BPM | |
 | Norma (1997 - Remaster), Act I, Scene 1: Norma viene (Coro) | Vincenzo Bellini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 2 | 5B | 127 BPM | |
 | Strauss, R: 5 Lieder, Op. 48: I. Freundliche Vision | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | D Major | 0 | 10B | 171 BPM | |
 | La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Monte-Carlo Philharmonic Orchestra, Fausto Cleva | E Major | 1 | 12B | 66 BPM | |
 | Gounod: Messe solennelle de Sainte Cécile: VIII. Domine salvum | Charles Gounod, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | G Major | 1 | 9B | 85 BPM | |
 | Tosca: Act II: Vissi d'arte, vissi d'amore (Tosca, Scarpia) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | A♭ Major | 3 | 4B | 176 BPM | |
 | Handel: Dixit Dominus, HWV 232: VII. De torrente in via bibet | George Frideric Handel, Emmanuelle Haïm, Karine Deshayes, Le Concert d'Astrée, Natalie Dessay | F♯ Minor | 4 | 11A | 132 BPM | |
 | Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 0 | 10B | 79 BPM | |
 | Lucia di Lammermoor / Act 2: "Soffriva nel pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM | |
 | Vier Lieder, Op. 27, TrV 170: 4. Morgen | Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | |
 | Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | |
 | Verdi: Il trovatore, Act 2: Coro di zingari. "Vedi! Le fosche notturne" (Coro) | Giuseppe Verdi, Antonio Pappano, London Voices, London Symphony Orchestra | C Major | 4 | 8B | 127 BPM | |
 | Simon Boccanegra, Prologue: A te l'estremo addio - Il lacerato spirito | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D♭ Major | 1 | 3B | 80 BPM | |
 | Pelléas et Mélisande, Op. 80: Chanson de Mélisande "The King's 3 Blind Daughters" (Orch. Koechlin) | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | |
 | Messa di Requiem: Agnus dei | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | C Major | 0 | 8B | 90 BPM | |
 | Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, José Carreras, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E♭ Major | 2 | 5B | 102 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records