- BPM
- 109
- Key
- F Major
- Camelot
- 7B
Shake up the Zeros by John Scott Song Details
John Scott's 'Shake up the Zeros' had a release date set for April 21, 2002. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Shake up the Zeros's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 15 in Final Countdown (Original Motion Picture Soundtrack) by John Scott. In terms of popularity, Shake up the Zeros is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Shake up the Zeros by John Scott is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
Music Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 6%
- Loudness
- -14.524 dB
- Acousticness
- 74%
- Danceability
- 28%
- Energy
- 41%
- Instrumentalness
- 94%
- Liveness
- 34%
- Loudness
- 76%
- Speechiness
- 4%
- Valence
- 38%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Psalm 5 "Ponder My Words, O Lord" | Edward Bairstow, York Minster Choir, John Scott Whiteley, Philip Moore | E♭ Major | 0 | 5B | 68 BPM | |
 | No. 1, Ubi caritas et amor | Maurice Duruflé, Choir of St John's, Elora, Noel Edison | A Major | 0 | 11B | 67 BPM | |
 | The Mass: Gloria | Patrick Cassidy, Laude, David Harris, Christoph Bull | C Minor | 1 | 5A | 76 BPM | |
 | Son of God Mass: Gloria | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E Minor | 1 | 9A | 68 BPM | |
 | Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | |
 | Psalm 119: Verses 65-72 "Bonitatem fecisti" | Wilfred John Mothersole, John Scott, St. Paul's Cathedral Choir, Huw Williams | C Major | 1 | 8B | 80 BPM | |
 | Lassus : "Ove d'altra montagna ombra non tocchi" | Orlande de Lassus, Wolfgang Helbich & Alsfeld Vocal Ensemble, Wolfgang Helbich | E♭ Major | 0 | 5B | 86 BPM | |
 | Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | |
 | Alléluia, Missa pro sponsis | Chœur Éphata, Rogatien Despaigne | A Minor | 3 | 8A | 99 BPM | |
| Psalm 10 "Ut quid, Domine?" | Thomas Attwood, John Stainer, Andrew Lucas, John Scott, St. Paul's Cathedral Choir | A♭ Major | 1 | 4B | 129 BPM | |
 | The Marriage of Figaro, K. 492, Act IV: Finale - Contessa perdono | Wolfgang Amadeus Mozart, Benjamin Holder, Hungarian Studio Orchestra, Hungarian Studio Choir | A Major | 1 | 11B | 52 BPM | |
 | The Storm Reappears | John Scott | E Minor | 1 | 9A | 170 BPM | |
 | Blessed Be That Maid Mary | St Martin's Voices | F Major | 1 | 7B | 88 BPM | |
 | Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | |
| Psalm 61 "Exaudi, Deus" | Charles Hylton Stewart, John Scott, St. Paul's Cathedral Choir, Andrew Lucas | G Minor | 0 | 6A | 72 BPM | |
 | Hereford "O Thou Who Camest from Above" | Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E♭ Major | 1 | 5B | 77 BPM | |
 | Psalm 130 - "Out Of The Deep Have I Called Unto Thee" | Charles Hylton Stewart, Choir of St. John's College, Cambridge, John Scott, George Guest | A♭ Major | 1 | 4B | 99 BPM | |
 | Psalm 27 | Edward Cutler, Choir of St John's, Elora, Michael Bloss, Noel Edison | A♭ Major | 1 | 4B | 126 BPM | |
| Psalm 109 "Deus, laudem" | James Turle, Huw Williams, St. Paul's Cathedral Choir, John Scott | D Minor | 1 | 7A | 76 BPM | |
 | Psalm 84: O How Amiable Are They Dwellings (Parry) | St. Thomas Choir Of Men And Boys, Gerre Hancock | A♭ Major | 1 | 4B | 67 BPM | |
 | Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod (Arr. D. Bishop for Organ) | Edward Elgar, Daniel Bishop | G Minor | 1 | 6A | 104 BPM | |
 | Psalm 10 "Why Standest Thou So Far Off, O Lord" | Percy C. Buck, Robert Ashfield, Rochester Cathedral Choir, Roger Sayer, Barry Ferguson | C Major | 1 | 8B | 79 BPM | |
| The Approaching Storm | John Scott | E Major | 1 | 12B | 101 BPM | |
 | The Last Words of David | Randall Thompson, Atlanta Master Chorale | G Major | 0 | 9B | 94 BPM | |
 | Before Action | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 2 | 4A | 67 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records