"Deadeye" by Christian Marclay, Elliott Sharp had its release date on 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Christian Marclay, Elliott Sharp's "High Noon" album is number 5 out of 8. On top of that, Switzerland appears to be the country where this track was created. Deadeye is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Deadeye by Christian Marclay, Elliott Sharp to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nostalgia | Don Nichols | N/A | N/A | N/A | 0 BPM | ||
| Luminous_legacy | ANTOINE GLAXES | C Major | 8 | 8B | 115 BPM | ||
| Cos I Am a Really Complicated Racoon | Marina Frescobaldi | D♭ Major | 2 | 3B | 167 BPM | ||
| Back To Start | Rawdy Ramz | B♭ Major | 4 | 6B | 142 BPM | ||
| Ghost | Aaron Dilloway | C Minor | 5 | 5A | 130 BPM | ||
| Rainforest | This Heat | G Minor | 9 | 6A | 82 BPM | ||
| Asna | Niton | D♭ Major | 0 | 3B | 70 BPM | ||
| Elixir of the Eventide - The Night Doctor 3 (Live) 3/3 | Dr. Schemp | G Major | 0 | 9B | 97 BPM | ||
| Bye Bye Butterfly | Pauline Oliveros | F♯ Major | 4 | 2B | 71 BPM | ||
| Aha, Déja vu, wunderbar (Location of Memory) | David Moss, Heiner Goebbels, Catherine Jauniaux, Hans Peter Kuhn, Phil Minton, Christian Marclay, Koichi Makigami, Frank Schulte | C Major | 4 | 8B | 115 BPM | ||
| Blackhole Dropout | Tod Dockstader | A Major | 4 | 11B | 134 BPM | ||
| The Politics of Digital Audio | Oval | F Major | 4 | 7B | 97 BPM | ||
| Clockwork Daily | Black Smoke | C Major | 8 | 8B | 115 BPM | ||
| Viva Shona | Jon Hassell | A Minor | 4 | 8A | 128 BPM | ||
| That Creature! | Marina Frescobaldi | B Major | 2 | 1B | 109 BPM | ||
| Upgrade OS | Emz Koolie | D♭ Major | 1 | 3B | 142 BPM | ||
| Nowhere (For Bob Moses), Pt. 1 | Michael Gibbs | F Minor | 5 | 4A | 200 BPM | ||
| Hope | Broke Amy | D Major | 6 | 10B | 178 BPM | ||
| Karaoke with Cal | Aaron Dilloway | B Major | 4 | 1B | 85 BPM | ||
| 鎮日 | noa | C Major | 8 | 8B | 115 BPM | ||
| Granite | Vilisi | F Minor | 5 | 4A | 148 BPM | ||
| Neutral | Christian Marclay | A♭ Major | 4 | 4B | 77 BPM | ||
| Empathy | Zakkaro Damo B | A Major | 1 | 11B | 128 BPM | ||
| Pour Diane Allaire | Christian Marclay, Thurston Moore, Lee Ranaldo | F♯ Major | 10 | 2B | 118 BPM | ||
| Invisible Parades, Namassivaya | Vighnesh Maharaj Peters | E Minor | 2 | 9A | 120 BPM |