Sonora Ponceña's ' "Hasta Que Se Rompa El Cuero" was released on its scheduled release date, January 1, 1978. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Sonora Ponceña's "La Orquesta De Mi Tierra" album is number 1 out of 8. On top of that, United States appears to be the country where this track was created. In terms of popularity, Hasta Que Se Rompa El Cuero is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hasta Que Se Rompa El Cuero by Sonora Ponceña to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Una Canita Al Aire | Orquesta La Solucion | D Major | 9 | 10B | 100 BPM | ||
| Timbalero | Sonora Ponceña | C Minor | 8 | 5A | 114 BPM | ||
| Molambo | Orquesta Halo | A Minor | 9 | 8A | 92 BPM | ||
| Tin Marin | Luis "Perico" Ortiz | C Major | 9 | 8B | 178 BPM | ||
| Sonora Pa'l Bailador | Sonora Ponceña | A Major | 5 | 11B | 93 BPM | ||
| Olvídate de Mi | La Mulenze | C Major | 6 | 8B | 95 BPM | ||
| Somos Dos (Con la Mayor Elegancia) | Tipica 73 | G Minor | 7 | 6A | 92 BPM | ||
| Parece Mentira | Roberto Roena Y Su Apollo Sound | G Major | 8 | 9B | 96 BPM | ||
| Cote pa la cola | Charlie Palmieri | E Minor | 5 | 9A | 105 BPM | ||
| La Cuesta De La Fama | Willie Rosario and His Orchestra | F Minor | 8 | 4A | 141 BPM | ||
| El Chivo | Johnny Pacheco Y Su Charanga | F Major | 5 | 7B | 112 BPM | ||
| No Hace Falta Papel | Henry Fiol | C Minor | 7 | 5A | 86 BPM | ||
| Guaguanco Sabroso | Monguito | A♭ Major | 6 | 4B | 93 BPM | ||
| Para Los Bravos | Tito Allen | D Major | 9 | 10B | 106 BPM | ||
| De Barrio Obrero A La Quince | Willie Rosario and His Orchestra | G Major | 6 | 9B | 130 BPM | ||
| Al Pasar Los An~os | Orquesta Mulenze | F♯ Major | 4 | 2B | 100 BPM | ||
| Triste Arabal | Roberto y Su Nuevo Montuno | C Minor | 5 | 5A | 84 BPM | ||
| Biribo | La Terrifica | C Minor | 4 | 5A | 108 BPM | ||
| Un Tipo Con Suerte | Humberto Ramirez | B♭ Minor | 7 | 3A | 100 BPM | ||
| Cositas Que Se Olvidan | Raphy Leavitt y La Selecta | B Minor | 8 | 10A | 99 BPM | ||
| El Bribon Del Aguacero | Tito Puente, Ismael Miranda | B Minor | 7 | 10A | 94 BPM | ||
| Consuelo | Chamaco Rivera, José Feliciano | F Minor | 4 | 4A | 94 BPM | ||
| Umi-Laye | Sonora Ponceña | G Major | 8 | 9B | 170 BPM | ||
| Kikiriki | Chamaco Ramírez | B♭ Major | 6 | 6B | 101 BPM | ||
| Fania | Chamaco Ramírez | F Major | 6 | 7B | 134 BPM |