Survivor's 'Half-life' had a release date set for September 25, 1983. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 9 in Caught in the Game by Survivor. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Half-life's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Half-life by Survivor is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| First Night | Survivor | A Major | 9 | 11B | 154 BPM | ||
| Runaway Lights | Survivor | C Major | 4 | 8B | 85 BPM | ||
| All The King's Horses | The Firm | A Minor | 5 | 8A | 126 BPM | ||
| Tears in the Night | Valentine | D Major | 6 | 10B | 102 BPM | ||
| It's Startin' all over Again | John Parr | D♭ Minor | 7 | 12A | 123 BPM | ||
| Back On The Streets | John Norum | A Minor | 8 | 8A | 88 BPM | ||
| Live and Let Live | Jefferson Starship | E Minor | 5 | 9A | 104 BPM | ||
| THE LAST SOUND LOVE MAKES | Don Johnson | D♭ Major | 7 | 3B | 134 BPM | ||
| Hard Reaction | Haywire | G Major | 9 | 9B | 132 BPM | ||
| Into the Night | Ace Frehley | E Minor | 8 | 9A | 98 BPM | ||
| She Don't (Come Around Anymore) | David Pack | B Minor | 9 | 10A | 136 BPM | ||
| Mystery Man | The Outfield | F Major | 2 | 7B | 96 BPM | ||
| Women On The Edge Of Love | Kane Roberts | D Minor | 10 | 7A | 136 BPM | ||
| Kamikaze | Ambrosia | A Major | 6 | 11B | 120 BPM | ||
| Lock And Key | Rush | A♭ Minor | 9 | 1A | 134 BPM | ||
| Without the Night | Winger | A Minor | 8 | 8A | 123 BPM | ||
| Love Is On My Side | Survivor | F Major | 7 | 7B | 143 BPM | ||
| True Emotion | Alias | A Major | 4 | 11B | 142 BPM | ||
| Somewhere Out In the Night | Beau Coup | C Major | 5 | 8B | 98 BPM | ||
| Like That | Hardline | D♭ Minor | 9 | 12A | 108 BPM | ||
| VOICE ON A HOTLINE | Don Johnson | A Minor | 5 | 8A | 69 BPM | ||
| Loosen Up | Winger | B♭ Minor | 7 | 3A | 103 BPM | ||
| Don't Wanna Be Your Fool | Quiet Riot | D Minor | 7 | 7A | 98 BPM | ||
| Headed for a Heartbreak | Winger | D Minor | 5 | 7A | 134 BPM | ||
| Big Noise | Cutting Crew | D♭ Minor | 8 | 12A | 109 BPM |