R. D. Burman, Amit Kumar's ' "Phele Asha Smriti Amar - Male Version" was released on its scheduled release date, April 1, 1989. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "Satarupa (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. In terms of popularity, Phele Asha Smriti Amar - Male Version is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Phele Asha Smriti Amar - Male Version by R. D. Burman, Amit Kumar having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oi Malatilata Dole | Srabani Sen | F Minor | 3 | 4A | 145 BPM | ||
| Ja Pakhi Jare Ure | Mita Chatterjee | B Minor | 8 | 10A | 118 BPM | ||
| Aji Shrabanghanagahan Mohe | Debabrata Biswas | F Major | 4 | 7B | 180 BPM | ||
| Aamar Jante Eiche Kore | Amrik Singh Arora | B Minor | 5 | 10A | 113 BPM | ||
| Mangaldeep Jaliye Thakur | Mahesh Ranjan Shome | F♯ Minor | 7 | 11A | 150 BPM | ||
| Chhotto Meyer | Srikanta Acharya | F Minor | 5 | 4A | 83 BPM | ||
| Jemon Sreeradha Kande | Shyamal Mitra | D♭ Major | 2 | 3B | 66 BPM | ||
| Jibaner Ei Kati Din | Pannalal Bhattacharya | C Major | 2 | 8B | 87 BPM | ||
| Meghe Dhaka Sokalbela - Duet Vocals | Srikanta Acharya, Mithu Ahamed | B Major | 6 | 1B | 168 BPM | ||
| Bondhu Hote Cheye | Subir Nandi | G Major | 6 | 9B | 160 BPM | ||
| Shunechi Jibone | Monir Khan, Baby Naznin | B♭ Major | 6 | 6B | 100 BPM | ||
| Takar Jonno She Amare | Hamid Ali | E Minor | 8 | 9A | 136 BPM | ||
| Ei Mon Sei Gaan Geye Jay | Shyamal Mitra | B Major | 2 | 1B | 99 BPM | ||
| Ujan Bhati | Prabir Sarkar | D♭ Major | 5 | 3B | 82 BPM | ||
| Sararaat Ghum Aasena | Mita Chatterjee | A Major | 7 | 11B | 79 BPM | ||
| Ami Bhadhbo Na | Mita Chatterjee | B Minor | 5 | 10A | 112 BPM | ||
| Prem Priti Ar Valobasha Sad | Agun | B Minor | 8 | 10A | 95 BPM | ||
| Tumi Jodi Nadi Hote | Arundhati Holme Chowdhury, Salil Chowdhury | A Major | 3 | 11B | 143 BPM | ||
| Amar Sarbo Ange Likhe Dio | Pradyat Dey Sarkar, Roompa | F Minor | 1 | 4A | 77 BPM | ||
| Sogono Gohono | Hemanta Mukhopadhyay | E Major | 4 | 12B | 65 BPM | ||
| Chhariya Jeyo Na Aar | Manabendra Mukherjee | A Minor | 6 | 8A | 121 BPM | ||
| Oriye Oriye Madhu Chuve | Pawan Singh, Anuja | F Major | 6 | 7B | 120 BPM | ||
| Ami Swapne Tomay Dekhechhi | Sandhya Mukherjee | E♭ Major | 1 | 5B | 67 BPM | ||
| Soneete Aaj Amra | Mohammed Aziz, Shabina Yasmeen | D♭ Major | 8 | 3B | 160 BPM | ||
| Shei Pakhittar Ke Jane | Alka Yagnik, Shabbir Kumar | G Minor | 4 | 6A | 157 BPM |