On January 1, 1998, the song "Ho Sake To Mera" was released by Arshad Mehmood. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Ho Sake To Mera and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. Ho Sake To Mera is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ho Sake To Mera by Arshad Mehmood to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Menu Teriyan Akhiyan Kaliyaan | Wajid Ali Baghdadi | B♭ Minor | 5 | 3A | 73 BPM | ||
| Idhar Zindagi Ka | Munni Begum | D♭ Minor | 6 | 12A | 149 BPM | ||
| Ajnabi | Aamir Saleem | F♯ Major | 7 | 2B | 92 BPM | ||
| Lagan Lagi | Ahmed Jehanzeb | D♭ Major | 10 | 3B | 200 BPM | ||
| Mehbooba Oh Mehbooba | Asha Bhosle, Mohammed Rafi, R. D. Burman, Mahendra Kapoor, Kishore Kumar, Badd Company, X-Zecutive | D♭ Major | 5 | 3B | 107 BPM | ||
| Waada Na Tod | Bally Sagoo, Ranjana Joglekar | G Minor | 8 | 6A | 90 BPM | ||
| Tu Mile Kadi Kadi | Nooran Lal | G Major | 9 | 9B | 111 BPM | ||
| Yaar Badshahi | Mumtaz Molai | F♯ Major | 9 | 2B | 125 BPM | ||
| Rongila | Redz, Rd1 | C Major | 7 | 8B | 105 BPM | ||
| Rum Jo Mera Paas | Arshad Mehmood | C Major | 7 | 8B | 81 BPM | ||
| O Wanjli Walarya | Fadia Shaboroz, Ali Abbas | G Minor | 0 | 6A | 115 BPM | ||
| Khooni Akhiyan | The Professional Brothers | G Minor | 8 | 6A | 92 BPM | ||
| Allah Kainday Sang Na Toray | Sharafat Ali Khan | A♭ Major | 9 | 4B | 105 BPM | ||
| Tedi Matlab Di Yaari Hai | Arslan Chandu | F♯ Major | 5 | 2B | 120 BPM | ||
| Galan Gooriyan | Stereo Nation, Hunterz, Shubhra | B♭ Minor | 7 | 3A | 91 BPM | ||
| Chhati Borein Ve | Azra Jehan | G Major | 9 | 9B | 111 BPM | ||
| Chand Jab Bhi | Arshad Mehmood | F Minor | 5 | 4A | 95 BPM | ||
| Ishq | Zeeshan Khan Rokhri | G Major | 8 | 9B | 198 BPM | ||
| Mere Mehboob Sanam | Kumar Kanchan | D♭ Minor | 8 | 12A | 95 BPM | ||
| Rab Na Kare Ke Ye Zindagi | Shahid | D♭ Minor | 6 | 12A | 95 BPM | ||
| Dunya Ye Bewafa Hy | Muhammad Nawaz Bhutta | A♭ Minor | 9 | 1A | 128 BPM | ||
| Main Bewafa | Nadeem Abbas Khan Lonay Wala | B♭ Major | 8 | 6B | 96 BPM | ||
| Tere Mere Pyar Ka | Arshad Mehmood | F Minor | 5 | 4A | 95 BPM | ||
| Khudai | Naseebo Lal | E Minor | 8 | 9A | 82 BPM | ||
| Teri Yaad Aa Gai | Masood Rana | D♭ Minor | 3 | 12A | 152 BPM |