Paul Wranitzky, Ensemble Eduard Melkus, Eduard Melkus's 'Quodlibet: Straßburger,Cosacca,Altvatter,Contredanse,Fandango (nach Mozart "Figaro"),Masur,Russisch,Furlana' had a release date set for January 1, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 135 in Dance Music Through the Ages: Renaissance; Early Baroque; High Baroque; Rococo; Viennese Classical Period; Biedermeier Period by Konrad Ragossnig, Ulsamer Collegium, Ensemble Eduard Melkus, Josef Ulsamer. Quodlibet: Straßburger,Cosacca,Altvatter,Contredanse,Fandango (nach Mozart "Figaro"),Masur,Russisch,Furlana is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quodlibet: Straßburger,Cosacca,Altvatter,Contredanse,Fandango (nach Mozart "Figaro"),Masur,Russisch,Furlana by Paul Wranitzky, Ensemble Eduard Melkus, Eduard Melkus is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gluck: Orphée et Eurydice, Wq. 41, Act 1 Scene 1: Pantomime des nymphes et des bergers | Christoph Willibald Gluck, Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon | B Major | 2 | 1B | 110 BPM | ||
| Symphony No. 13 in D Major: III. Allegro assai | William Herschel, Matthias Bamert, London Mozart Players | A Major | 1 | 11B | 154 BPM | ||
| Symphony in C Major, Op. 3, No. 2, W. C2: I. Allegro | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | C Major | 1 | 8B | 136 BPM | ||
| Quartettino in G Major, Op. 44 No. 4, for 2 violins, viola & violoncello "La Tiranna Spagnola": II. Tempo di Minuetto | Luigi Boccherini, Nuovo Quartetto | G Major | 1 | 9B | 98 BPM | ||
| Dittersdorf: Symphony concertante for Viola and Double Bass in D Major: III. Menuetto e Trio | Carl Ditters von Dittersdorf, Sir Neville Marriner, Rodney Slatford, Stephen Shingles, Academy of St. Martin in the Fields | D Major | 1 | 10B | 108 BPM | ||
| Symphony in B-Flat Major, Op. 3, No. 4, W. C4: I. Allegro con spirito | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | F Major | 1 | 7B | 131 BPM | ||
| Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: II. Vater, vergib ihnen. Largo | Joseph Haydn, Anna-Lena Elbert, Hannah Gries, Sophie Harmsen, Florian Sievers, Sebastian Noack, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | A Major | 0 | 11B | 80 BPM | ||
| Der Fischer und das Milchmädchen: I. Allegretto galante | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | F Major | 0 | 7B | 62 BPM | ||
| Don Juan: IV. Divertissement No. 2 (After Mozart's K. 421) | Daniel Auber, Karlovy Vary Symphony Orchestra, Dario Salvi | F Major | 0 | 7B | 87 BPM | ||
| Symphony in A Major, Op. 1, No. 3 (Callen 3): III. Presto | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | A Major | 0 | 11B | 105 BPM | ||
| Cello Concerto in C Major, G. 481: III. Allegretto | Luigi Boccherini, Tim Hugh, Scottish Chamber Orchestra, Anthony Halstead | C Major | 0 | 8B | 101 BPM | ||
| Horn Concerto No.3 In E-Flat Major, K.447 1st mov. Allegro | Petr Hernych, Marcello Rota, Czech National Symphony Orchestra | D Major | 1 | 10B | 128 BPM | ||
| Léocadie, S. 12: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D♭ Minor | 1 | 12A | 89 BPM | ||
| Symphony in G Major, Op. 11 No. 1: III. Allegro assai | Joseph Boulogne Chevalier de Saint-Georges, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 98 BPM | ||
| Armide, Acte I: Ouverture | Jean-Baptiste Lully, Louis-Joseph Francoeur, Le Concert Spirituel, Herve Niquet | F Minor | 3 | 4A | 166 BPM | ||
| Mandolin Concerto in G Major, S. 28: II. Andante con variazioni. | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players, Alison Stephens | F Major | 1 | 7B | 127 BPM | ||
| Viola Concerto in D Major: III. Rondo. Allegro | Franz Anton Hoffmeister, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | C Minor | 1 | 5A | 111 BPM | ||
| Oboe Concerto in C Major | Vincenzo Righini, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 141 BPM | ||
| Symphony No. 17 in C Major: I. Allegro | William Herschel, Matthias Bamert, London Mozart Players | A Major | 1 | 11B | 154 BPM | ||
| Serenade in D Major, Op. 23, No. 2, G. 146: VII. Allegro (Version for flute and piano) | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 91 BPM | ||
| Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM | ||
| 6 Hungarian Dances: No. 2, Con Verbunk | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | C Major | 0 | 8B | 132 BPM | ||
| Das listige Bauernmädchen: No. 9, Allegro non troppo | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | C Major | 2 | 8B | 122 BPM | ||
| Quartet in F Major: II. Adagio sustenuto | Friedrich Witt, Consortium Classicum | B♭ Major | 1 | 6B | 120 BPM | ||
| Concerto For Oboe And Orchestra In G Major: 1. Maestoso | Carl Ditters von Dittersdorf, Heinz Holliger, Camerata Bern, Thomas Füri | G Major | 2 | 9B | 111 BPM |