Down To Nothing [Mix Cut] - Original Mix
Susana, Max Graham
Trance 75 - 2012, Vol. 2 (Mixed Version)
3:26 May 25, 2012
BPM
132
Key
E♭ Minor
Camelot
2A

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Down To Nothing [Mix Cut] - Original Mix by Susana, Max Graham Song Details

Susana, Max Graham's 'Down To Nothing [Mix Cut] - Original Mix' had a release date set for May 25, 2012. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 75 in the song's album "Trance 75 - 2012, Vol. 2 (Mixed Version)". In this album, this song's track order is #12. Based on our statistics, Down To Nothing [Mix Cut] - Original Mix's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With Down To Nothing [Mix Cut] - Original Mix by Susana, Max Graham having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-6.217 dB
Acousticness
2%
Danceability
56%
Energy
91%
Instrumentalness
7%
Liveness
12%
Loudness
90%
Speechiness
5%
Valence
21%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records