"2 Poemes de Ronsard, Op. 26: No. 2, Ciel, aer et vens" by Albert Roussel, Jayn Rosenfeld, Christine Schadeberg had its release date on October 5, 2010. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Roussel: Chamber Music with Flute". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, 2 Poemes de Ronsard, Op. 26: No. 2, Ciel, aer et vens is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 2 Poemes de Ronsard, Op. 26: No. 2, Ciel, aer et vens by Albert Roussel, Jayn Rosenfeld, Christine Schadeberg having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 4, Morning Dance | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 0 | 8B | 86 BPM | ||
| Delius: Irmelin Prelude | Frederick Delius, Sir John Barbirolli, London Symphony Orchestra | D Major | 1 | 10B | 87 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IV. Auftritt und Tanz der Schneider | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | C Major | 0 | 8B | 86 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| Respighi: Trittico botticelliano: III. La Nascita di Venere | Ottorino Respighi, Hugh Wolff, Saint Paul Chamber Orchestra | D♭ Minor | 1 | 12A | 112 BPM | ||
| Le Tombeau de Couperin, M. 68a: I. Prélude. Vif | Maurice Ravel, Les Siècles, François-Xavier Roth | F♯ Major | 0 | 2B | 74 BPM | ||
| Transfigured Night, Op. 4 (Version for String Orchestra): Pesante - Grave | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | E Major | 0 | 12B | 73 BPM | ||
| Das Lied von der Erde: VIc. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | C Major | 0 | 8B | 86 BPM | ||
| Ravel: Violin Sonata No. 2 in G Major, M. 77: II. Blues. Moderato | Maurice Ravel, Sarah Chang, Lars Vogt | C Major | 0 | 8B | 86 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Da Da DDD | Mike Bish | G Major | 0 | 9B | 110 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 19, Balcony Scene | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 0 | 8B | 86 BPM | ||
| The Dream of Gerontius, Op. 38, Part II: No. 1, Introduction | Edward Elgar, Edward Gardner, London Philharmonic Orchestra | D Major | 2 | 10B | 86 BPM | ||
| Jūra, MKČ 102: V. Recapitulation | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Roussel: Symphony No. 1 in D Minor, Op. 7, L. 8, "Le Poème de la forêt": I. Forêt d'hiver | Albert Roussel, Charles Dutoit, Orchestre National De France | F Major | 0 | 7B | 94 BPM | ||
| Ravel: Valses nobles et sentimentales, M. 61: No. 3 Moderé | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | E Minor | 0 | 9A | 137 BPM | ||
| Brian: Symphony No. 7 in C Major: II. Allegro maestoso ma moderato | Havergal Brian, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | C Major | 0 | 8B | 86 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: III. Sostenuto. Like a Folk Tune | Erich Wolfgang Korngold, Calidore String Quartet | C Major | 0 | 8B | 86 BPM | ||
| Clarinet & Saxophone Concerto: I. October Sky, Pt. 3 (Live) | Maya Badian, National Symphony Orchestra of Teleradio-Moldova | G Minor | 5 | 6A | 74 BPM | ||
| Des heures passent, Op. 1: III. Tragiques | Albert Roussel, Emanuele Torquati | F Minor | 1 | 4A | 98 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM |