Audio Highs's ' "夜王鳳仙" was released on its scheduled release date, June 24, 2009. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. 夜王鳳仙's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 銀魂 オリジナル・サウンドトラック 3, so we believe that "夜王鳳仙" is a single. 夜王鳳仙 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 夜王鳳仙 by Audio Highs is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| PUNK RECORDS | Kohei Tanaka | D Major | 9 | 10B | 112 BPM | ||
| The Setting Sun | 高橋 諒 | A♭ Minor | 0 | 1A | 71 BPM | ||
| Situation X | Kana Hashiguchi | F♯ Minor | 4 | 11A | 104 BPM | ||
| ボッジ戦闘態勢 | MAYUKO | F Major | 5 | 7B | 106 BPM | ||
| ドフラミンゴ~圧倒的な力~ | 井内啓二 | D♭ Major | 4 | 3B | 76 BPM | ||
| 日曜劇場「ラストマン」メインテーマ ORIGINAL COVER INST Ver.ORIGINAL COVER INST Ver. | NIYARI計画 | A♭ Major | 5 | 4B | 80 BPM | ||
| Lurking | Akira Senju | B♭ Major | 8 | 6B | 119 BPM | ||
| Conspiracy | Kotaro Nakagawa | F Major | 0 | 7B | 68 BPM | ||
| live quietly | (K)NoW_NAME | E Major | 4 | 12B | 104 BPM | ||
| The Ruins as They Were | Kotaro Nakagawa | A Major | 2 | 11B | 73 BPM | ||
| 伝えたい気持ち | うたたね歌菜 | G Major | 3 | 9B | 104 BPM | ||
| 捜査 | 小畑貴裕 | F Minor | 0 | 4A | 129 BPM | ||
| 美は夏の果実の如き物 | Audio Highs | F Major | 3 | 7B | 77 BPM | ||
| 寂静 | Yoshihiro Ike | G Minor | 2 | 6A | 63 BPM | ||
| At the End of Sorrow | Masaru Yokoyama | C Minor | 2 | 5A | 80 BPM | ||
| Shiosai | 岡部啓一 | F Major | 9 | 7B | 176 BPM | ||
| 危急存亡 | 沢田完 | A♭ Major | 6 | 4B | 113 BPM | ||
| 蘭のお姉さんぶり | Katsuo Ohno | F♯ Minor | 2 | 11A | 173 BPM | ||
| 糖分とらねぇとなぁー | Audio Highs | E Minor | 1 | 9A | 175 BPM | ||
| ボッジのテーマ | MAYUKO | F Major | 5 | 7B | 106 BPM | ||
| 「草を踏む音」 | 増田俊郎 | B Minor | 0 | 10A | 77 BPM | ||
| Endless Firmament | Frying-Pan | D♭ Major | 5 | 3B | 73 BPM | ||
| scar of the war | 梶浦 由記 | C Minor | 5 | 5A | 84 BPM | ||
| Unacceptable | Hideyuki Fukasawa | C Minor | 2 | 5A | 104 BPM | ||
| Thousands Of Years May Have Passed… | 加藤達也 | E♭ Major | 2 | 5B | 110 BPM |