Huddersfield Choral Society, Brian Kay, David Bell, Owain Arwel Hughes's ' "Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol)" was released on its scheduled release date, 1986. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Carols Album". In this album, this song's track order is #10. Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol) by Huddersfield Choral Society, Brian Kay, David Bell, Owain Arwel Hughes having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Good Christian Men Rejoice | Huddersfield Choral Society | F Major | 1 | 7B | 171 BPM | ||
| God Rest You Merry, Gentlemen (Arr. for Choir & Organ by D. Willcocks) | Traditional, York Minster Choir, John Scott Whiteley, Philip Moore | F♯ Major | 1 | 2B | 133 BPM | ||
| Angels from the realms of glory (arr. David Wilcocks) | Sir David Willcocks, Traditional, Tewkesbury Abbey Choir, Andrew Sackett | G Major | 2 | 9B | 127 BPM | ||
| O Worship the King | William Croft, desc. Alan Gray, The Choir Of Westminster Abbey, Martin Neary, Martin Baker | G Major | 1 | 9B | 89 BPM | ||
| O for a thousand tongues | Huddersfield Choral Society | G Major | 2 | 9B | 68 BPM | ||
| King Jesus Hath a Garden | King's College Choir | A Major | 1 | 11B | 78 BPM | ||
| On Jordan's bank the Baptist's cry | Anon, Salisbury Cathedral Choir, Director Simon Lole | B♭ Major | 2 | 6B | 83 BPM | ||
| The Truth from Above | The Sixteen | A Minor | 1 | 8A | 178 BPM | ||
| I Saw Three Ships Come Sailing In | Huddersfield Choral Society | F Major | 1 | 7B | 120 BPM | ||
| O Come All Ye Faithful - Adeste Fideles | Worcester Cathedral Choir | G Major | 2 | 9B | 105 BPM | ||
| It Came Upon a Midnight Clear | The City of Prague Philharmonic Orchestra, Crouch End Festival Chorus | A Major | 5 | 11B | 140 BPM | ||
| The Holly and the Ivy (Arr. Henry Walford Davies) | French Traditional, Choir of King's College, Cambridge, Stephen Cleobury, Joel Williams, Sam Landman, Barnaby May, Rupert Peacock, Robert Busiakiewicz | G Major | 1 | 9B | 53 BPM | ||
| I Heard the Bells On Christmas Day | Millennial Choirs & Orchestras, Brett Stewart, Brandon Stewart | E♭ Major | 1 | 5B | 138 BPM | ||
| Ewing "Jerusalem the Golden" | Alexander Ewing, Ely Cathedral Choir, Scott Farrell, Paul Trepte | A Minor | 3 | 8A | 130 BPM | ||
| Once in Royal David's City | Henry John Gauntlett, Choir of King's College, Cambridge, Sir David Willcocks | A♭ Major | 1 | 4B | 71 BPM | ||
| Rejoyce and Be Merry | King's College Choir | G Major | 1 | 9B | 82 BPM | ||
| Lo How a Rose E'er Blooming | Michael Praetorius, The Cambridge Singers, John Rutter | F♯ Major | 1 | 2B | 107 BPM | ||
| Cummings & Mendelssohn: Hark! The Herald Angels Sing (After Mendelssohn's Gutenberg Cantata, WoO 9, MWV D4) | Felix Mendelssohn, William Hayman Cummings, Choir of King's College, Cambridge, Thomas Trotter, Philip Ledger | G Major | 3 | 9B | 77 BPM | ||
| Lindens "That Virgin's Child" | Edmund Rubbra, York Minster Choir, Philip Moore | G Major | 2 | 9B | 88 BPM | ||
| Away In Manger | Mikaeli Chamber Choir | F Major | 1 | 7B | 127 BPM | ||
| Come Thou Long-Expected Jesus | St. Olaf Choral Ensembles | F Major | 2 | 7B | 93 BPM | ||
| Lo! he comes with clouds descending | Anon, Salisbury Cathedral Choir, Director Simon Lole | A♭ Major | 2 | 4B | 105 BPM | ||
| See, Amid The Winter's Snow (Hymn For Christmas Day) | St. Paul's Cathedral Choir | A♭ Major | 4 | 4B | 72 BPM | ||
| O Bethlehem | Beckenhorst Singers, Dan Forrest, Craig Courtney | F Minor | 2 | 4A | 114 BPM | ||
| O Little Town of Bethlehem | Mormon Tabernacle Choir | D♭ Major | 2 | 3B | 76 BPM |