"Tirzah Saved" by Miklós Rózsa had its release date on January 29, 1960. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Tirzah Saved's duration is considered a little bit shorter than the average duration of a typical track. The song is number 36 out of 88 in Ben Hur (Original Motion Picture Soundtrack) [Deluxe Version] by Miklós Rózsa. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Tirzah Saved is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tirzah Saved by Miklós Rózsa is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Prologue - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | B Minor | 2 | 10A | 92 BPM | ||
| My Own Lover | Ria Mbanefo | B♭ Major | 3 | 6B | 83 BPM | ||
| Extasiados | Armonias | B♭ Minor | 6 | 3A | 119 BPM | ||
| Repentes | Armonias | A Major | 2 | 11B | 144 BPM | ||
| Magic and Final Boss (16 bits) | Lautenor | C Major | 2 | 8B | 135 BPM | ||
| Notte Quieta | Luciano Lombardi | G Minor | 2 | 6A | 85 BPM | ||
| Where Eagles Dare: Main Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | F Minor | 4 | 4A | 62 BPM | ||
| actual | maxflow | D♭ Major | 1 | 3B | 57 BPM | ||
| The Last Starfighter Theme (Main Title) | Craig Safan | E♭ Major | 1 | 5B | 78 BPM | ||
| Main Theme from "Gettysburg" | Randy Edelman, Cincinnati Pops Orchestra, Erich Kunzel, Timothy Berens | A♭ Major | 3 | 4B | 85 BPM | ||
| Approach To Shadizaar - Conan The Destroyer/Soundtrack Version | Basil Poledouris | A Minor | 4 | 8A | 125 BPM | ||
| Main Title - Gone With the Wind | Max Steiner | F Major | 4 | 7B | 122 BPM | ||
| Almost As Beautiful As His Mother | Debbie Wiseman | F Major | 1 | 7B | 92 BPM | ||
| 633 Squadron: Main Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | F Major | 7 | 7B | 118 BPM | ||
| Please Wait | Patrick Doyle | G Minor | 1 | 6A | 80 BPM | ||
| Rupert Bear | Academy of St. Martin in the Fields, Gabriel Yared | B♭ Major | 2 | 6B | 90 BPM | ||
| Cannibalize The Future | Danke Timi Briggs | B♭ Major | 3 | 6B | 80 BPM | ||
| Theme of Exodus (from "Exodus", 1960 Film Score) | Ernest Gold, Twentieth Century-Fox Studio Orchestra | B Minor | 2 | 10A | 116 BPM | ||
| An Empire Besieged | Batu Sener | G Minor | 1 | 6A | 78 BPM | ||
| Pledge | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Minor | 3 | 7A | 115 BPM | ||
| Medley (Laszlo / As Time Goes By / Orders / Die Wacht Am Rhein / Motor / Ilsa Returns / Telephone / Deutschland Über Alles / La Marseillaise / Plane) | The Warner Bros. Studio Orchestra | F Major | 2 | 7B | 99 BPM | ||
| Mitchy The Kid | Marc Shaiman | F♯ Major | 2 | 2B | 146 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | David Hirschfelder, Kim Wheeler | E♭ Major | 1 | 5B | 86 BPM | ||
| Cutting The Rope | Harald Kloser | D Minor | 0 | 7A | 143 BPM | ||
| Booby Trap: The Trap | Ron Jones | C Major | 3 | 8B | 120 BPM |