"The Last Emperor" by Ryuichi Sakamoto had its release date on December 12, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Playing the Piano 12122020". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Japan. Based on our statistics, The Last Emperor's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Last Emperor by Ryuichi Sakamoto having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Late | Nils Frahm | G Minor | 0 | 6A | 110 BPM | ||
| Bruyères - Home Session | Claude Debussy, Víkingur Ólafsson | A♭ Major | 0 | 4B | 64 BPM | ||
| February | Libra Moon | E♭ Minor | 0 | 2A | 133 BPM | ||
| Dream (Arr. for Guitar by Jonathan Bockelmann) | Ryuichi Sakamoto, Jonathan Bockelmann | A♭ Major | 0 | 4B | 152 BPM | ||
| koko | Ryuichi Sakamoto | G Major | 0 | 9B | 109 BPM | ||
| ジブラルタルの風 | Takashi Kako | G Minor | 1 | 6A | 81 BPM | ||
| Solitude | Ryuichi Sakamoto | A♭ Major | 0 | 4B | 84 BPM | ||
| Dream Colored Mobile II, Op. 58a | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, Joe Houghton, Kate Wilson | B♭ Major | 0 | 6B | 67 BPM | ||
| Siisx | alva noto, Ryuichi Sakamoto | B♭ Minor | 3 | 3A | 100 BPM | ||
| Piano Pieces for Children: No. 2. Clouds | Kotaro Fukuma | A Major | 0 | 11B | 96 BPM | ||
| Hakukou | Ayatake Ezaki | E♭ Minor | 2 | 2A | 140 BPM | ||
| Naono | alva noto, Ryuichi Sakamoto | D Minor | 0 | 7A | 120 BPM | ||
| amnesia | Shunji Iwai | E♭ Major | 0 | 5B | 108 BPM | ||
| New Birth | Hayato Sumino | D Minor | 4 | 7A | 84 BPM | ||
| Amore | Ryuichi Sakamoto | F Major | 1 | 7B | 117 BPM | ||
| Céramiste | Umitaro Abe | A Major | 2 | 11B | 79 BPM | ||
| Nocturne II - After Dawn | Hayato Sumino | E Major | 0 | 12B | 125 BPM | ||
| IN THE BEGINNING WAS / Francesco Tristano: In The Beginning Was | Francesco Tristano, Alice Sara Ott | C Minor | 1 | 5A | 100 BPM | ||
| Better Watch Out | Pattingson | E♭ Major | 1 | 5B | 127 BPM | ||
| Refracted | Alex Heffes, Ryuichi Sakamoto | F Major | 1 | 7B | 112 BPM | ||
| Mushiniwa scene I | Ironomi | D Major | 1 | 10B | 137 BPM | ||
| 潘心彤 Believed | Cicada | F Major | 0 | 7B | 76 BPM | ||
| コラール「古き年は過ぎ去りぬ」 BWV614 | Johann Sebastian Bach, Ryuichi Sakamoto | A Minor | 0 | 8A | 48 BPM | ||
| Principe | R.S. Levi | N/A | N/A | N/A | 0 BPM | ||
| もののけ姫(もののけ姫) | Carl Orrje Piano Ensemble | E♭ Major | 2 | 5B | 75 BPM |