Irene Reid's ' "Lover Man" was released on its scheduled release date, July 8, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Irene Reid's "Movin' Out" album is number 1 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, Lover Man's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Lover Man by Irene Reid to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| People Make The World Go Round | Milt Jackson | F Minor | 3 | 4A | 165 BPM | ||
| Honey | Charles Brown | D♭ Major | 4 | 3B | 140 BPM | ||
| Traces in the Sand | Natalia M. King | A♭ Minor | 3 | 1A | 105 BPM | ||
| Family Affair - Studio Rio Version | Sly & The Family Stone, Studio Rio | D Minor | 6 | 7A | 109 BPM | ||
| Walk Between The Raindrops | John Pizzarelli | A♭ Major | 4 | 4B | 82 BPM | ||
| Where Do You Start? | Roderick Harper | D♭ Major | 5 | 3B | 112 BPM | ||
| STORMY MONDAY BLUES | Bobby "Blue" Bland | D♭ Major | 5 | 3B | 112 BPM | ||
| People Will Say We're in Love | Lauren Henderson, Allan Mednard, Eric Wheeler, Sullivan Fortner | E♭ Major | 3 | 5B | 102 BPM | ||
| I Can Tell | Olivia Van Goor, Josie Ala | A♭ Major | 6 | 4B | 114 BPM | ||
| Someday Baby | Ben Sidran, Rick Margitza | B♭ Minor | 4 | 3A | 80 BPM | ||
| Tight - Live At Bradshaw's Great American Music Hall, San Francisco/1979 | Betty Carter | D Major | 3 | 10B | 132 BPM | ||
| Grooveyard | Frank Morgan | B♭ Minor | 2 | 3A | 105 BPM | ||
| More Today Than Yesterday | Irene Reid, Charles Earland, Eric Alexander | F Major | 3 | 7B | 76 BPM | ||
| Anytime, Anyplace, Anywhere | Hadda Brooks | B♭ Major | 2 | 6B | 68 BPM | ||
| Leapin' on Lenox | Eddie "Lockjaw" Davis | D♭ Major | 4 | 3B | 120 BPM | ||
| Don't Get Around Much Anymore | Mose Allison | D♭ Major | 5 | 3B | 112 BPM | ||
| West Coast Blues | Nancy Wilson, Malcolm Addey | B♭ Minor | 5 | 3A | 159 BPM | ||
| Mama, He Treats Your Daughter Mean | Irene Reid, Charles Earland, Eric Alexander | E♭ Major | 3 | 5B | 141 BPM | ||
| At Long Last Love | Bill Henderson, Oscar Peterson Trio | B♭ Major | 2 | 6B | 129 BPM | ||
| Baby Doll - Mono | LaVern Baker | A♭ Major | 5 | 4B | 74 BPM | ||
| Don't Let The Sun Catch You Cryin' | Louis Jordan | G Minor | 1 | 6A | 86 BPM | ||
| Workin' Man (a/k/a I Got Myself a Workin' Man) | Alberta Hunter | C Major | 5 | 8B | 81 BPM | ||
| Yes You Cheated | Augustine Robinson | D♭ Major | 5 | 3B | 112 BPM | ||
| When Did You Leave Heaven? | Nancy Wilson | F Minor | 2 | 4A | 178 BPM | ||
| Ask Me Nice | Mose Allison | D♭ Major | 1 | 3B | 123 BPM |