On June 17, 2016, the song "Pinkys Sang (Aspirantkorps)" was released by Rolf Olsen, Terje Formoe, Sande og Mosserød Skolekorps. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vel Blåst by Sande og Mosserød Skolekorps. The song's track number on the album is #11 out of 14 tracks. In terms of popularity, Pinkys Sang (Aspirantkorps) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Pinkys Sang (Aspirantkorps) by Rolf Olsen, Terje Formoe, Sande og Mosserød Skolekorps has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Pinkys Sang (Aspirantkorps) being at 108 BPM, the half-time would be 54 BPM with a double-time of 216 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 魔法(わくわく) | Michiru Oshima | B♭ Major | 5 | 6B | 110 BPM | ||
| La Cantinera | Conjunto Evocación de Juan S. Garrido | A Major | 2 | 11B | 100 BPM | ||
| Old Cartoon Theme | Reels Tracks | A Major | 1 | 11B | 126 BPM | ||
| Luna de España | Marujita Diaz | G Major | 2 | 9B | 123 BPM | ||
| Calling All Workers | Eric Coates, Light Symphony Orchestra | C Major | 3 | 8B | 142 BPM | ||
| El Varon Gitano | Orquesta Festival De Viena | D♭ Major | 3 | 3B | 106 BPM | ||
| Frauenherz | Walzer Orchestra | E♭ Major | 3 | 5B | 139 BPM | ||
| Brazilian Sleighbells | George Wright | D Major | 4 | 10B | 114 BPM | ||
| Adieu Mario (From 'Mon Oncle'1958) | Alain Romans, Franck barcellini | C Major | 2 | 8B | 96 BPM | ||
| 8½ | Nino Rota | E♭ Minor | 5 | 2A | 79 BPM | ||
| 夜来香 | 上海老百乐门元老爵士乐队 | B♭ Major | 3 | 6B | 113 BPM | ||
| Carmen Suite: Entr'acte 3 (Arr. by Jan Valta) | Georges Bizet, Marc Reift, Philharmonic Wind Orchestra, Marc Reift Orchestra | C Minor | 4 | 5A | 123 BPM | ||
| Model Girl | Gareth Hughes | C Minor | 3 | 5A | 145 BPM | ||
| Samson & Gert medley (Oh la la la!, Mexico, Samen op de moto en Wij zijn bij de brandweer) - Symfonische versie | Bratislava Symphony Orchestra | F Minor | 5 | 4A | 140 BPM | ||
| Later That Night | Charlie Chaplin, Alfred Newman | F Major | 5 | 7B | 118 BPM | ||
| O meu vero amigo é Jesus (Tocata CCB) | CCB Hinos | F Major | 4 | 7B | 200 BPM | ||
| The Woodpecker Song | Brisbane Mandolin Ensemble | C Major | 4 | 8B | 107 BPM | ||
| Amparito Roca (Pasodoble) | Sant Antoni a Manacor | B♭ Major | 2 | 6B | 139 BPM | ||
| Adesso viene il bello | Compagnia delle Legioni | B♭ Major | 7 | 6B | 125 BPM | ||
| Cabiria's Waltz | Henryk Topel, Giuseppe Bellardinelli, Giovanni Zappalorto | C Minor | 3 | 5A | 174 BPM | ||
| Flor De Piña | Banda Clásica de Oaxaca (DF) | C Major | 9 | 8B | 123 BPM | ||
| GODFATHER PART III, THE - Marcia Festa | Raine, The City of Prague Philharmonic Orchestra | B♭ Major | 5 | 6B | 126 BPM | ||
| Puppet On A String | Mantovani | D Major | 3 | 10B | 132 BPM | ||
| The Banks of the Seine | Frank Chacksfield | A♭ Major | 2 | 4B | 162 BPM | ||
| Doña Francisquita: Fandango | Amadeo Vives, Lucero Tena, Orquesta de Conciertos de Madrid | D Minor | 9 | 7A | 178 BPM |