On January 27, 1928, the song "Das Wirtshaus an der Lahn" was released by Comedian Harmonists. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 51 in the song's album "Papiermond über dem Grammophon". In this album, this song's track order is #47. Furthermore, we believe that the track originated from Germany. Based on our statistics, Das Wirtshaus an der Lahn's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Das Wirtshaus an der Lahn by Comedian Harmonists having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tschitschibum | Trude Herr | E♭ Major | 8 | 5B | 121 BPM | ||
| Guten Tag, Liebes Glück | Lilian Harvey | D♭ Major | 3 | 3B | 115 BPM | ||
| Bei Mir Bist Du Schön | Zarah Leander | D♭ Major | 3 | 3B | 115 BPM | ||
| Meine Rose | Tim Fischer | E Major | 4 | 12B | 108 BPM | ||
| Der Alte Sünder | Paul Hörbiger, Maria Andergast | E♭ Major | 5 | 5B | 119 BPM | ||
| Arzgebirg, wie bist du schie | Anton Günther | A♭ Major | 1 | 4B | 132 BPM | ||
| Die Dreigroschenoper: Akt III, Das Lied von der Unzulänglichkeit ("Der Mensch lebt durch den Kopf") | Kurt Weill, Willy Trenk-Trebitsch, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg | A Minor | 1 | 8A | 72 BPM | ||
| Blutrote Rosen | Austin Egen, Marek Weber & Sein Orchester | E Minor | 3 | 9A | 108 BPM | ||
| Küß Mich, Bitte Küß Mich | Rudi Schuricke | D♭ Major | 3 | 3B | 115 BPM | ||
| Die Reblaus | Hans Moser | E♭ Major | 2 | 5B | 79 BPM | ||
| In der Bar zum Krokodil | Comedian Harmonists | D♭ Major | 2 | 3B | 78 BPM | ||
| Das Herz von St Pauli | Hans Albers | D♭ Major | 3 | 3B | 115 BPM | ||
| Heinrich, wo greifst du denn hin | Irene Ambrus | C Major | 2 | 8B | 124 BPM | ||
| Theme De Harry Lime | Anton Karas | G Major | 5 | 9B | 146 BPM | ||
| Der Mörder ist immer der Gärtner | Reinhard Mey | A Major | 2 | 11B | 97 BPM | ||
| Puppenhochzeit | Comedian Harmonists | A Major | 1 | 11B | 177 BPM | ||
| Die Dreigroschenoper: Akt I, Die Moritat von Mackie Messer ("Und der Haifisch, der hat Zähne") | Kurt Weill, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg | G Major | 1 | 9B | 82 BPM | ||
| Die Stasi-Ballade | Wolf Biermann | G Minor | 4 | 6A | 113 BPM | ||
| Blaue Nacht am Hafen - 1962 Version | Lale Andersen | E♭ Major | 3 | 5B | 79 BPM | ||
| Puttin' On The Ritz | Ulrich Tukur & Die Rhythmus Boys | F Minor | 6 | 4A | 100 BPM | ||
| Zuckerpuppe (Aus der Bauchtanzgruppe) | Bill Ramsey | B♭ Major | 7 | 6B | 135 BPM | ||
| Ein Wagen Von Der Linie 8 | Weiß Ferdl | B Minor | 5 | 10A | 86 BPM | ||
| Sauerkraut-Polka | Gus Backus | D♭ Major | 3 | 3B | 115 BPM | ||
| Man müsste nochmal zwanzig sein | Willy Schneider | D♭ Major | 3 | 3B | 79 BPM | ||
| Wegen Emil seine unanständ'ge Lust | Claire Waldoff | D Major | 3 | 10B | 87 BPM |