Time After Time
Claire Martin, Kenny Barron
Too Much in Love to Care
2:44 April 30, 2012
BPM
131
Key
G Major
Camelot
9B

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Time After Time by Claire Martin, Kenny Barron Song Details

Claire Martin, Kenny Barron's 'Time After Time' had a release date set for April 30, 2012. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Time After Time's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Too Much in Love to Care". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Time After Time's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With Time After Time by Claire Martin, Kenny Barron having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-12.264 dB
Acousticness
98%
Danceability
55%
Energy
18%
Instrumentalness
0%
Liveness
10%
Loudness
80%
Speechiness
4%
Valence
23%

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ISRC
GBASH1239008
Label
L-M Records/RCA Records