"Hydrophone" by Max Eastley had its release date on January 1, 1975. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "New And Rediscovered Musical Instruments". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Hydrophone is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hydrophone by Max Eastley having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Watermusic 1.1 | William Basinski | A Minor | 0 | 8A | 80 BPM | ||
| Rising Thermal 14° 16' N; 32° 28' E | Jon Hassell, Brian Eno | E♭ Major | 0 | 5B | 74 BPM | ||
| Slow Loris Versus Poison Snail | David Toop, Jon Hassell | F Major | 3 | 7B | 149 BPM | ||
| _1 | Max Eastley, Alessandro Olla, Simon Balestrazzi, Z'ev | C Major | 3 | 8B | 91 BPM | ||
| Klezmer Cajon | Drakeba | A♭ Minor | 5 | 1A | 120 BPM | ||
| 888 | Irina Lopes | C Major | 10 | 8B | 128 BPM | ||
| Lidia After The Snow | Roberto Musci | E♭ Major | 7 | 5B | 84 BPM | ||
| Third Etude | Michael Rosas Cobian, Gabriela Ortiz | D Major | 0 | 10B | 119 BPM | ||
| For Playing Chess | Sherwin | A Minor | 3 | 8A | 120 BPM | ||
| Royal Baby Maker | Lily Jimeth | A♭ Major | 2 | 4B | 101 BPM | ||
| Rose Marie Compaoré | Redkattseven | C Major | 3 | 8B | 110 BPM | ||
| The Sinking of the Titanic: 6. Hymn IV | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 60 BPM | ||
| Blackhole Dropout | Tod Dockstader | A Major | 4 | 11B | 134 BPM | ||
| First Cadence | Sarah Davachi | G Major | 0 | 9B | 72 BPM | ||
| Rising Up Before Us Like Things | David Toop, Max Eastley | B Minor | 2 | 10A | 165 BPM | ||
| The Sinking of the Titanic: 8. Titanic Lament | Gavin Bryars, Gavin Bryars Ensemble | D♭ Major | 1 | 3B | 89 BPM | ||
| 山頂の祈り | 瞑想の音楽 | C Major | 0 | 8B | 113 BPM | ||
| Invisible Parades, Namassivaya | Vighnesh Maharaj Peters | E Minor | 2 | 9A | 120 BPM | ||
| In the Dark | John Newport | D Major | 2 | 10B | 97 BPM | ||
| Schirley | Tomaga | D Major | 4 | 10B | 107 BPM | ||
| Sello | Jhoudj | G Major | 6 | 9B | 95 BPM | ||
| Cells 1-8 | Terry Riley, Brooklyn Raga Massive | C Major | 5 | 8B | 98 BPM | ||
| Happiness focused | BILBAO RECORDS | F♯ Minor | 8 | 11A | 169 BPM | ||
| The White Cliffs of Dover | Biosphere | B♭ Major | 1 | 6B | 66 BPM | ||
| Clé Elum | Fursaxa | B Minor | 4 | 10A | 161 BPM |