Bernardo Pasquini, Rinaldo Alessandrini's ' "Corrente III" was released on its scheduled release date, April 1, 1991. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Pasquini: Sonate per gravicembalo". In this album, this song's track order is #18. In terms of popularity, Corrente III is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Corrente III by Bernardo Pasquini, Rinaldo Alessandrini having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Phoebus, God Beloved by Men | Samuel Pepys, Cesare Morelli, Reginald Mobley, Brandon J. Acker, Douglas Balliett | A♭ Major | 0 | 4B | 66 BPM | ||
| Hasse: Serpentes ignei in deserto: Aria. "Incerta vivendo" (Eliab) | Johann Adolf Hasse, Thibault Noally, Les Accents, David Hansen | B Minor | 3 | 10A | 120 BPM | ||
| Motetti e sonate concertati, Op. 6: No. 20, Favus distillans à 4 | Tarquinio Merula, Gerlinde Sämann, Ecco la musica | F♯ Major | 1 | 2B | 89 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Irish Baroque Orchestra, Monica Huggett, Lisa Beznosiuk, Andreas Helm | F♯ Minor | 1 | 11A | 113 BPM | ||
| Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: I. Vivace. Lento | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 3 | 11A | 92 BPM | ||
| Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
| Concerto in F major, op.4, No. 12 (1735): 1. Allegro | Pietro Locatelli, Musica Antiqua Köln, Reinhard Goebel | B Major | 1 | 1B | 131 BPM | ||
| Concerto grosso No. 2 in G Major: II. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 0 | 4B | 81 BPM | ||
| Missa Votiva in E Minor, ZWV 18: XIX. Agnus dei | Jan Dismas Zelenka, Collegium 1704, Václav Luks, Hana Blaziková, Tomáš Kořínek, Tomáš Král | E♭ Minor | 2 | 2A | 98 BPM | ||
| Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: I. Andante | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
| Almiro, entro il mio petto (Live) | Bernardo Pasquini, Juan Sancho, Morgan Pearse, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | ||
| Concerto grosso No. 11 in B-Flat Major, Op. 6: I. Preludio (Andante largo) | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Alba Roca | E Major | 2 | 12B | 80 BPM | ||
| Arripe alpestri ad vallem: Sereni affectus mei | Il Seminario Musicale, Gérard Lesne | E Major | 0 | 12B | 70 BPM | ||
| Credo, RV. 591: Coro "Crucifixus etiam pro nobis" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | ||
| Confitebor tibi, Domine, RV 596: I. Terzetto, "Confitebor tibi, Domine" | Antonio Vivaldi, Margherita Maria Sala, Valerio Contaldo, Alessandro Ravasio, Coro e Orchestra Ghislieri, Giulio Prandi | B Major | 2 | 1B | 107 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: I. Largo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 1 | 1A | 88 BPM | ||
| Mystery Sonata No. 9 "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | A♭ Minor | 1 | 1A | 110 BPM | ||
| Signori con licenza (Live) | Bernardo Pasquini, Anita Giovanna Rosati, Margherita Maria Sala, Rupert Charlesworth, Juan Sancho, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi | F Major | 2 | 7B | 88 BPM | ||
| Stabat mater: XVIII. Quando corpus ùorietur | Alessandro Scarlatti, Emmanuelle De Negri, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Ouverture-Suite In D Major TWV 55:D6: V. Bourée | Georg Philipp Telemann, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 3 | 4B | 129 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad manus: Aria "Manus sanctae, vos amplector" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Hanna Bayodi | C Minor | 2 | 5A | 90 BPM | ||
| Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 105 BPM | ||
| Stabat mater: VIII. Vidit suum dulcem natum | Alessandro Scarlatti, Emmanuelle De Negri, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Piagge incolte, erme arene (Live) | Bernardo Pasquini, Arianna Vendittelli, Morgan Pearse, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | ||
| Sinfonia No. 6 in G Minor, Op. 5: III. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | D♭ Major | 3 | 3B | 120 BPM |