The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey - Act 4: Introduction & Scene 1 "Zabylasya" by Nikolai Rimsky-Korsakov, Lyudmlla Kasianenko, Gennadi Bezzubenkov, Irina Loskutova, Yuri Shkliar, Mariinsky Orchestra, Valery Gergiev Song Details

"The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey - Act 4: Introduction & Scene 1 "Zabylasya"" by Nikolai Rimsky-Korsakov, Lyudmlla Kasianenko, Gennadi Bezzubenkov, Irina Loskutova, Yuri Shkliar, Mariinsky Orchestra, Valery Gergiev had its release date on January 1, 1999. This song is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. There are a total of 35 in the song's album "Rimsky-Korsakov: The Tsar's Bride". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey - Act 4: Introduction & Scene 1 "Zabylasya" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey - Act 4: Introduction & Scene 1 "Zabylasya" by Nikolai Rimsky-Korsakov, Lyudmlla Kasianenko, Gennadi Bezzubenkov, Irina Loskutova, Yuri Shkliar, Mariinsky Orchestra, Valery Gergiev having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -16.172 dB
Acousticness: 95%
Danceability: 29%
Energy: 21%
Instrumentalness: 0%
Liveness: 26%
Loudness: 73%
Speechiness: 5%
Valence: 6%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
3 Romances, Op. 11: No. 1, Andante	Clara Schumann, Isata Kanneh-Mason	E♭ Minor	0	2A	127 BPM
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor)	Frédéric Chopin, Magdalena Hoffmann	A♭ Minor	1	1A	127 BPM
IV. In the Hall of the Mountain King	Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud	G Major	1	9B	90 BPM
Rhapsodie Orientale, Op. 29: 1. Andante	Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit	D♭ Major	0	3B	89 BPM
Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai	Felix Mendelssohn, Quatuor Ébène	F Minor	3	4A	139 BPM
Gold Und Silber (Gold And Silver), Op. 79	Slovak Radio Symphony Orchestra, Franz Lehár	C Major	1	8B	81 BPM
ダッタン人の踊り (歌劇イーゴリ公より) 2 娘たちの流麗な踊り	Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra	A Major	0	11B	80 BPM
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement)	Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov	C Major	1	8B	104 BPM
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King	Edvard Grieg, Esa-Pekka Salonen	B Minor	2	10A	104 BPM
Carnival of the Animals, R. 125: Finale	Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma	C Major	3	8B	99 BPM
Sorochinsky Fair: Gopak	Modest Mussorgsky, Ukraine National Symphony Orchestra, Theodore Kuchar	G Major	1	9B	135 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes	Alexander Borodin, Anima Eterna, Jos Van Immerseel	A Major	0	11B	87 BPM
Scènes de ballet, Op. 52: VI. Danse Orientale	Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov	A♭ Major	0	4B	78 BPM
Artist's Life - Waltz Op. 316	Johann Strauss II, Hallé, Bryden Thomson	C Major	0	8B	98 BPM
Sir John in Love: Fantasia on Greensleeves	Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic, David Nadien	C Minor	1	5A	105 BPM
Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Chicken's Legs	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	G Major	2	9B	166 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	G Major	3	9B	97 BPM
6 Impromptus, Op. 5: Impromptu V	Jean Sibelius, Leif Ove Andsnes	B Minor	0	10A	72 BPM
Farandole	Georges Bizet, Semyon Bychkov, Wiener Philharmoniker	G Major	5	9B	156 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester	C Major	1	8B	96 BPM
Carnival of the Animals, R. 125: XIII. The Swan	Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard	G Major	0	9B	79 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	G Major	2	9B	90 BPM
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka	Antonín Dvořák, George Szell, The Cleveland Orchestra	C Major	2	8B	101 BPM
Boris Godunov, Prologue Scene 1: "Na kogo zh ty nas pokidaesh?"	Modest Mussorgsky, Nikolai Rimsky-Korsakov, Станислав Сулейманов, Николай Низиенко, Людмила Юрченко, Нина Новосёлова, хор Большого театра, Mark Ermler, Оркестр Большого театра	A Minor	1	8A	88 BPM