Eric Scott Reed's ' "The Weirdos" was released on its scheduled release date, May 16, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Out Late". In this album, this song's track order is #6. In terms of popularity, The Weirdos is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Weirdos by Eric Scott Reed having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Simple as That | Peter Bernstein | D♭ Major | 4 | 3B | 112 BPM | ||
| UMMG | Sasha Berliner, Taylor Eigsti | F♯ Major | 6 | 2B | 149 BPM | ||
| Something Blue | Francesca Tandoi Trio | D♭ Major | 4 | 3B | 98 BPM | ||
| Benny Thanks | Thom Rotella, Jeremy Pelt, Ernie Watts | G Minor | 3 | 6A | 121 BPM | ||
| Ruby, My Dear | Eric Reed | A♭ Major | 1 | 4B | 171 BPM | ||
| Rolling Tales | Makoto Ozone | D Major | 5 | 10B | 121 BPM | ||
| Cheeky | Wycliffe Gordon, Marcus Printup, Ted Nash, Eric Scott Reed | C Minor | 6 | 5A | 133 BPM | ||
| Human Rights | Human Being Human, Chris Cheek | D Major | 5 | 10B | 121 BPM | ||
| Bop Web | Francesca Tandoi, Matheus Nicolaiewsky, Sander Smeets | F Minor | 5 | 4A | 153 BPM | ||
| Cambridge Place | Danny Grissett, Vicente Archer, Kendrick Scott | A♭ Major | 4 | 4B | 77 BPM | ||
| Beauty's in the Eye | Wycliffe Gordon, Victor Goines, Eric Reed, Joe Temperley | C Major | 2 | 8B | 140 BPM | ||
| Sights Unseen | ARTEMIS | B♭ Major | 4 | 6B | 82 BPM | ||
| Plainsong | Fred Hersch, Drew Gress, Joey Baron | D Minor | 1 | 7A | 107 BPM | ||
| Ruby My Dear | Oz Noy, David Kikoski, James Genus, Clarence Penn | F Minor | 4 | 4A | 117 BPM | ||
| Billy's Waltz | Billy Hart Quartet | A♭ Major | 2 | 4B | 135 BPM | ||
| The Sweetest Water | Linda May Han Oh, Ambrose Akinmusire, Tyshawn Sorey | G Major | 1 | 9B | 74 BPM | ||
| Come Sunday | Eric Scott Reed | F Major | 1 | 7B | 120 BPM | ||
| Emily | Kenny Barron Trio | C Major | 5 | 8B | 118 BPM | ||
| We Shall Overcome | Eric Scott Reed | E Major | 0 | 12B | 137 BPM | ||
| Big P | Jimmy Heath | D Minor | 4 | 7A | 94 BPM | ||
| Headin' Home | Joshua Redman Quartet | C Major | 5 | 8B | 119 BPM | ||
| No Breakfast | Chris McCarthy, Takuya Kuroda, Sam Minaie, Eden Bareket, Steven Crammer | C Major | 5 | 8B | 105 BPM | ||
| Saviour Suzanne | Tom Smith, Graeme Blevins, Olli Martin | B Minor | 5 | 10A | 120 BPM | ||
| Nostalgia In Times Square | T.K. Blue, Randy Brecker, Eric Scott Reed, Jeff "Tain" Watts, Lonnie Plaxico | B♭ Minor | 5 | 3A | 134 BPM | ||
| Suspect Funk | Open Studio | D Minor | 2 | 7A | 73 BPM |