"Aquarellen-Walzer, Op. 258" by Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Karl Albert Geyer had its release date on April 14, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Strauss, Josef: Edition - Vol. 18". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. Aquarellen-Walzer, Op. 258 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aquarellen-Walzer, Op. 258 by Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Karl Albert Geyer having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wiener Bürger, Op. 419 | Carl Michael Ziehrer, Wiener Philharmoniker, Lorin Maazel | C Major | 2 | 8B | 99 BPM | ||
| Bizet: Carmen Suite No. 1: III. Intermezzo (Orch. Guiraud) | Georges Bizet, Herbert von Karajan, Philharmonia Orchestra | G Minor | 0 | 6A | 125 BPM | ||
| Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
| Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
| Salut For August Bournonville, Galop (1869) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 3 | 10B | 161 BPM | ||
| I Will Be There | Mako | F Major | 2 | 7B | 61 BPM | ||
| Neue Pizzicato-Polka, Op. 449: Neue Pizzicato-Polka | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice | C Major | 0 | 8B | 152 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor | Antonín Dvořák, Sir Charles Mackerras, Philharmonia Orchestra | C Major | 1 | 8B | 173 BPM | ||
| Ischler Walzer, Op. Posth | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 185 BPM | ||
| Bellini: I puritani: "Uragano – Son salvo, alfin son salvo" (Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Afghanistan [Milli Surood (National Anthem), "This land is Afghanistan…"] (2006 onwards) | Peter Breiner, Babrak Wasa, Slovak State Philharmonic Orchestra, Kosice | E♭ Major | 3 | 5B | 126 BPM | ||
| Imagination Is Everything | DePaul Osaze | D♭ Major | 3 | 3B | 152 BPM | ||
| Verdi: La traviata, Act 3: Prelude | Giuseppe Verdi, Herbert von Karajan, Philharmonia Orchestra | D Major | 0 | 10B | 65 BPM | ||
| Sport-Polka, Polka schnell, Op. 170 | Josef Strauss, Georges Prêtre, Wiener Philharmoniker | F Major | 6 | 7B | 90 BPM | ||
| Jos. Strauss: Delirien-Walzer, Op. 212 | Josef Strauss, Herbert von Karajan, Philharmonia Orchestra | C Major | 2 | 8B | 91 BPM | ||
| Vals del Tesoro | George Henkla | C Major | 2 | 8B | 92 BPM | ||
| Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Theme. Andante | Johannes Brahms, Herbert von Karajan, Berliner Philharmoniker | A Major | 0 | 11B | 98 BPM | ||
| España, Op. 236 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | F Major | 3 | 7B | 118 BPM | ||
| Giselle, Act II: Andante: Valse moderato: Women's Variation | Adolphe Adam, Sofia National Opera Orchestra, Boris Spassov | D Minor | 3 | 7A | 128 BPM | ||
| Strauss, Josef: Geheime Anziehungskräfte, Op. 173 | Josef Strauss, Rudolf Kempe, Wiener Philharmoniker | E Major | 1 | 12B | 144 BPM | ||
| Sphärenklänge, Walzer, Op. 235 | Josef Strauss, Christian Thielemann, Wiener Philharmoniker | D Major | 1 | 10B | 93 BPM | ||
| Phonix, Op. 105: Phonix-Marsch, Op. 105 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 5 | 5B | 108 BPM | ||
| La traviata: Ah, fors'è lui - Instrumental | Giuseppe Verdi, Andre Kostelanetz, New York Philharmonic | D Major | 2 | 10B | 93 BPM | ||
| 「マドンナの宝石」 間奏曲 第1番 | エルマンノ・ヴォルフ・フェラーリ, 岩城宏之, NHK交響楽団 | F Major | 1 | 7B | 126 BPM | ||
| VI. Waltz No. 1 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM |