Jimmy Raney, Doug Raney's 'Stolen moments' had a release date set for 1986. This song is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. There are a total of 7 in the song's album "Stolen Moments". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Denmark. Based on our statistics, Stolen moments's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Stolen moments by Jimmy Raney, Doug Raney having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Who Can I Turn To | Peter Bernstein, Larry Goldings, Bill Stewart | F♯ Minor | 3 | 11A | 120 BPM | ||
| My Romance | Joe Beck, Santi Dibriano, Thierry Arpino | C Major | 2 | 8B | 118 BPM | ||
| Velvet and Silk | LiftMachine | C Major | 3 | 8B | 108 BPM | ||
| Every Shape of Pause | Fifth Window | F Minor | 1 | 4A | 217 BPM | ||
| Breath of Nothing | Niko de Oro | F Major | 3 | 7B | 80 BPM | ||
| We Never Talked | Sky Bar Session | F Major | 5 | 7B | 107 BPM | ||
| Here Or There | Niels Lan Doky | A♭ Major | 3 | 4B | 81 BPM | ||
| I'm Beginning to See the Light | Phineas Newborn Jr. | A♭ Major | 3 | 4B | 150 BPM | ||
| Tuscan Causeway | Blue Rectangles | C Major | 4 | 8B | 160 BPM | ||
| Yardbird Suite | Tal Farlow | D Minor | 3 | 7A | 123 BPM | ||
| Jamaica | Alexandre Aquino Trio | F Minor | 2 | 4A | 68 BPM | ||
| Port of Spain | Ed Bickert, Lorne Lofsky | G Major | 2 | 9B | 96 BPM | ||
| Whittlin' | Joshua Redman | D Minor | 2 | 7A | 126 BPM | ||
| Half-Remembered Lullabies | Sherbourne Rivers | F Minor | 4 | 4A | 114 BPM | ||
| Lullaby Of Birdland | Jaki Byard | A♭ Major | 1 | 4B | 79 BPM | ||
| Summit Vengeance | Elian Tumbao | D♭ Major | 9 | 3B | 136 BPM | ||
| Dark Coffee | Joseph Vany | F Minor | 0 | 4A | 96 BPM | ||
| Forty-Eight - Isntrumental | George Van Eps, Howard Alden | C Minor | 0 | 5A | 74 BPM | ||
| Waiting for Ruby | Dave Stryker, Jared Gold, McClenty Hunter Jr. | A♭ Major | 3 | 4B | 135 BPM | ||
| Fresco Smithy | Jazzhaus | G Minor | 1 | 6A | 61 BPM | ||
| Chromatic Swing | Darin Coley | A♭ Major | 3 | 4B | 135 BPM | ||
| There Will Never Be Another You | Jimmy Raney | A♭ Major | 3 | 4B | 135 BPM | ||
| No Male for Me | Jimmy Raney | C Major | 4 | 8B | 124 BPM | ||
| Open Tuning | Tom Rising | A♭ Major | 3 | 4B | 135 BPM | ||
| Warm Silence | Theo Noir | C Minor | 2 | 5A | 80 BPM |