Being As An Ocean's 'Mothers' had a release date set for May 6, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Being As An Ocean's "How We Both Wondrously Perish" album is number 9 out of 10. Based on our statistics, Mothers's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mothers by Being As An Ocean to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Would Have Given Anything... | September Stories | F Major | 8 | 7B | 105 BPM | ||
| To the Sun | Grandview | E Minor | 5 | 9A | 132 BPM | ||
| Objects in Space | La Dispute | A♭ Major | 3 | 4B | 94 BPM | ||
| Retrospect | Tapestry | D Minor | 8 | 7A | 125 BPM | ||
| Airfield | Enter Shikari | C Major | 2 | 8B | 167 BPM | ||
| The Lines (Low Gain Mix) | Beartooth | F♯ Major | 7 | 2B | 131 BPM | ||
| Suddenly, I Was Alone | Being As An Ocean | D Minor | 4 | 7A | 120 BPM | ||
| Nothing Left to Love | Counterparts | C Major | 7 | 8B | 155 BPM | ||
| Sins of the Father | Being As An Ocean | F♯ Minor | 9 | 11A | 93 BPM | ||
| Shaper | Grandview | E Major | 4 | 12B | 66 BPM | ||
| Same Tight Rope | Emarosa | G Minor | 10 | 6A | 160 BPM | ||
| To My Mother | Worthwhile | C Major | 10 | 8B | 91 BPM | ||
| How We Both Wondrously Perish | Being As An Ocean | D Major | 2 | 10B | 75 BPM | ||
| Vacant Home | Movements | C Major | 7 | 8B | 135 BPM | ||
| 1937 | Worthwhile | C Major | 8 | 8B | 135 BPM | ||
| How's Your Head? | Trade Wind | E Major | 4 | 12B | 72 BPM | ||
| Stay Happy There | La Dispute | B Minor | 10 | 10A | 138 BPM | ||
| Walk Away | Cory Wells | C Minor | 7 | 5A | 145 BPM | ||
| I Hated | The Elijah | A Minor | 5 | 8A | 109 BPM | ||
| Without Me | Aburden | G Minor | 9 | 6A | 120 BPM | ||
| Don't Wanna Know | To The Wind | D Minor | 9 | 7A | 136 BPM | ||
| Black & Blue | Being As An Ocean | F Minor | 7 | 4A | 127 BPM | ||
| Woman (Reading) | La Dispute | A Minor | 6 | 8A | 115 BPM | ||
| Leak | Stepson | A Major | 9 | 11B | 105 BPM | ||
| Free | Ambleside | E♭ Major | 9 | 5B | 110 BPM |