Reed Foehl's 'All Its Stars' had a release date set for January 1, 2009. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Once An Ocean". In this album, this song's track order is #9. All Its Stars is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With All Its Stars by Reed Foehl having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cul-De-Sac | Will Stewart | C Major | 2 | 8B | 123 BPM | ||
| Midnight on the Interstate | Dave Simonett | A Major | 3 | 11B | 78 BPM | ||
| Expectation Runs | Thomas Csorba | D Major | 2 | 10B | 81 BPM | ||
| Didn't We Dance | Will Stewart | C Major | 3 | 8B | 105 BPM | ||
| Don't Make Me Wait | Doug Paisley | E♭ Major | 2 | 5B | 121 BPM | ||
| Little Warble | Jeffrey Foucault | F Minor | 3 | 4A | 95 BPM | ||
| Ghosted | Stephen Kellogg | D Major | 4 | 10B | 81 BPM | ||
| No Time To Cry | John Gorka | B Major | 5 | 1B | 88 BPM | ||
| Lilacs Bloom | Michigan Rattlers | E Major | 4 | 12B | 80 BPM | ||
| Come Back To Me | Our Man In The Field | E Major | 2 | 12B | 81 BPM | ||
| Rodeo Clown | Reed Foehl | B Major | 4 | 1B | 123 BPM | ||
| Someday Soon | Chris and Thomas | D♭ Major | 3 | 3B | 138 BPM | ||
| Lost Train of Thought | Max Gomez | A Major | 3 | 11B | 115 BPM | ||
| Novelty | Ken Yates | G Major | 4 | 9B | 110 BPM | ||
| What’s Left of Mine | Thomas Csorba | E♭ Major | 3 | 5B | 117 BPM | ||
| A Thousand Years | The Sea The Sea | A♭ Major | 2 | 4B | 108 BPM | ||
| The Flood | GoldenOak | D Major | 4 | 10B | 106 BPM | ||
| All My Love | Hush Kids | C Major | 2 | 8B | 132 BPM | ||
| Sunrise in the Rearview | Jeffrey Foucault | B♭ Minor | 1 | 3A | 127 BPM | ||
| First Time in Years | Erik Koskinen | C Major | 7 | 8B | 125 BPM | ||
| That Summer | Jon Middleton | C Major | 2 | 8B | 94 BPM | ||
| Better Times | Matthew Payne | D♭ Major | 2 | 3B | 98 BPM | ||
| Wait Up (Acoustic) | Abigail Lapell, Great Lake Swimmers | C Major | 3 | 8B | 94 BPM | ||
| That's All I'll Ever Become | William Prince | B♭ Major | 3 | 6B | 143 BPM | ||
| Born To Fly | Golden Everything, Zach Schmidt | G Major | 2 | 9B | 166 BPM |