SANABAGUN.'s ' "まさに今、この瞬間。" was released on its scheduled release date, October 21, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in メジャー, so we believe that "まさに今、この瞬間。" is a single. まさに今、この瞬間。 is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of まさに今、この瞬間。 by SANABAGUN. is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 泥棒 | Maboroshi | F Minor | 9 | 4A | 108 BPM | ||
| 玄関 | KICK THE CAN CREW | F♯ Major | 8 | 2B | 120 BPM | ||
| レイトショー | Tha Omedetaz | G Major | 9 | 9B | 107 BPM | ||
| SALSA TAXI (Rerecorded) | TOKYO No.1 SOUL SET | G Major | 9 | 9B | 108 BPM | ||
| NEVER ENDING BEATS | SCHA DARA PARR, TOKYO No.1 SOUL SET | D♭ Minor | 8 | 12A | 124 BPM | ||
| 在日日本人 | SANABAGUN. | B♭ Minor | 6 | 3A | 98 BPM | ||
| Somebody | SANABAGUN. | B♭ Minor | 5 | 3A | 90 BPM | ||
| Catch The Miracle | age | B Minor | 8 | 10A | 116 BPM | ||
| GOOD MORNING BABY | Yakenohara | G Minor | 8 | 6A | 188 BPM | ||
| Snack | Okazaki Taiiku | B♭ Major | 5 | 6B | 89 BPM | ||
| MUSIC MAKER | DEV LARGE, Junpei Shiina | G Major | 8 | 9B | 109 BPM | ||
| Antimist | Sweet William, Kuwazono Hajime | F Minor | 7 | 4A | 94 BPM | ||
| オラハラッパー | Chinza Dopeness | D♭ Major | 7 | 3B | 130 BPM | ||
| The Great Journey | KIRINJI, RHYMESTER | G Major | 9 | 9B | 115 BPM | ||
| ヒップホップの初期衝動 | KUCHIRORO | D♭ Minor | 7 | 12A | 108 BPM | ||
| ミクロボーイとマクロガール | スチャダラパーとEGO-WRAPPIN', EGO-WRAPPIN' | D♭ Major | 7 | 3B | 124 BPM | ||
| 在来外来 | Zainichi Funk | G Major | 7 | 9B | 105 BPM | ||
| 茶柱 | Tha Omedetaz | D♭ Major | 7 | 3B | 105 BPM | ||
| 8 manz | SANABAGUN. | B Minor | 8 | 10A | 98 BPM | ||
| 言語学的ラップの世界 | Mummy-D, Shinpeita, TKda黒ぶち, しあ, DJ Mitsu The Beats | B♭ Minor | 7 | 3A | 106 BPM | ||
| ドキュメント2019 feat.Mummy-D | Shikao Suga, Mummy-D | D♭ Minor | 9 | 12A | 130 BPM | ||
| In da house | SATTU CREW | D♭ Major | 7 | 3B | 84 BPM | ||
| こっから | DONGURIZU | A Minor | 5 | 8A | 103 BPM | ||
| comrade feat. 三浦大知 | SOIL & “PIMP” SESSIONS, Daichi Miura | A♭ Minor | 5 | 1A | 130 BPM | ||
| Vent | SKRYU, TOSHIKI HAYASHI(%C) | G Major | 6 | 9B | 84 BPM |