Kosindra, Rishi Pal's ' "Aatam Mo Parmatam" was released on its scheduled release date, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kosindra, Rishi Pal's "Garib Ki Diwali" album is number 1 out of 13. On top of that, France appears to be the country where this track was created. Based on our statistics, Aatam Mo Parmatam's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Aatam Mo Parmatam by Kosindra, Rishi Pal to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| DAR TE AAVENGE TERE SAALON SAAL | Richa Sharma | B♭ Major | 9 | 6B | 102 BPM | ||
| Bhakt Ik Shiv Ka Chala | Kumar Vishu | F♯ Major | 5 | 2B | 99 BPM | ||
| Mehndi | Kohinoor Langa | B♭ Major | 9 | 6B | 112 BPM | ||
| Saachi Saachi Batavo Ji O | Prakash Mali | A Major | 4 | 11B | 98 BPM | ||
| Ghapat Maure Maur | Seema Kaushik | B♭ Minor | 9 | 3A | 136 BPM | ||
| Leele Ghode Ka Asawar | Lakhbir Singh Lakkha | D♭ Major | 8 | 3B | 95 BPM | ||
| Durbal Kaya Dekh | Kosindra, Rishi Pal | D Minor | 6 | 7A | 132 BPM | ||
| Desh Bhakti | Mishra Bandhu | C Major | 9 | 8B | 81 BPM | ||
| Kajrare Tere Mote - Mote | Baba Rasika Pagal | F♯ Major | 7 | 2B | 170 BPM | ||
| Gire Na Abhe Dudh Ke Daant | Deshraj Narvariya | F♯ Major | 10 | 2B | 128 BPM | ||
| Aadurar | Karumari Karna | A♭ Minor | 8 | 1A | 86 BPM | ||
| Swarg Sidhare | Kosindra, Rishi Pal | F♯ Major | 5 | 2B | 148 BPM | ||
| Hare Rama Hare Krishna kertan Bhajan | Kumar Arjun | E♭ Major | 8 | 5B | 82 BPM | ||
| Dil Tod Ke Hansti Ho Mera | Attaullah Khan | F Minor | 8 | 4A | 120 BPM | ||
| Shyam Khatu Wale Kripa Kar De | Nandu Ji | F♯ Major | 7 | 2B | 168 BPM | ||
| Bhajan Shyaam Ke Gaungi - Bhajan | Kusum Chauhan | A Minor | 5 | 8A | 125 BPM | ||
| Tola Aise Rangahu Turi Fagun Ma | Nilkamal Vaishnav | F Minor | 9 | 4A | 120 BPM | ||
| Jawani Na Rehndi | Rajab Faqeer | F Minor | 8 | 4A | 158 BPM | ||
| Naihar Jaat Bani | Khesari Lal Yadav | B♭ Major | 10 | 6B | 154 BPM | ||
| Khawaja Ne Jise Chaha | Rais Anis Sabri | B Minor | 9 | 10A | 91 BPM | ||
| Fida Hui Tere Husn Pe Puran | Koshinder Khadana | F♯ Major | 5 | 2B | 128 BPM | ||
| Shiv Manat Nahin | Sharda Sinha | A♭ Minor | 8 | 1A | 86 BPM | ||
| Kadak Laxmi Aali | Ravindra Sathe | G Major | 8 | 9B | 91 BPM | ||
| Raja Mordhwaj Ki Mahima, Pt. 1 | Ramniwas Rao | C Major | 5 | 8B | 145 BPM | ||
| Maargi Re Maargi Us Heere Ki Aada | Tarun Baliyan | E Minor | 9 | 9A | 133 BPM |