Landon Dodd's ' "What Comes Natural to a Fool" was released on its scheduled release date, April 5, 2016. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. What Comes Natural to a Fool's duration is considered a little bit shorter than the average duration of a typical track. This song is part of What Comes Natural to a Fool by Landon Dodd. The song's track number on the album is #1 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, What Comes Natural to a Fool's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since What Comes Natural to a Fool by Landon Dodd has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With What Comes Natural to a Fool being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crazy Dreams | Kimberly Murray | D Major | 5 | 10B | 126 BPM | ||
| Good Times Will Stay | Will Banister | D Major | 5 | 10B | 90 BPM | ||
| Your Best Friend and Me | Mac Wiseman | D Major | 4 | 10B | 120 BPM | ||
| Dreaming Out Loud | Billy Yates | D Major | 7 | 10B | 130 BPM | ||
| We’re Gonna Honky Tonk Tonight | Jason James | C Major | 6 | 8B | 146 BPM | ||
| You're Still On My Mind | Pete Schlegel | B Minor | 7 | 10A | 160 BPM | ||
| Out of Sight and Out of Mind | Malpass Brothers | C Major | 5 | 8B | 118 BPM | ||
| Footsteps to Nowhere | Jody Nix | F Major | 5 | 7B | 132 BPM | ||
| Flowers in Your Hair | Dale Watson | C Major | 6 | 8B | 106 BPM | ||
| I'd Follow You Anywhere | The Derailers | F♯ Major | 2 | 2B | 80 BPM | ||
| If the Bottle Was a Bible | Kevin Moon | C Major | 5 | 8B | 131 BPM | ||
| Where in the Hell Did You Go With My Toothbrush | Eleven Hundred Springs | C Major | 8 | 8B | 132 BPM | ||
| Honky Tonk Till I Die | Eric Strickland & the B Sides | E Major | 7 | 12B | 150 BPM | ||
| Loving You Could Never Be Better | Landon Dodd | A♭ Major | 4 | 4B | 95 BPM | ||
| Twang | Martin Delray | A Major | 5 | 11B | 164 BPM | ||
| A Texas Honky Tonk | Jason Roberts | A Major | 6 | 11B | 118 BPM | ||
| Truckin' Man | Dale Watson | D Major | 7 | 10B | 160 BPM | ||
| Heart over Mind | Teea Goans | A Major | 6 | 11B | 120 BPM | ||
| She Came Back | Pete Schlegel | D Major | 7 | 10B | 107 BPM | ||
| Runnin' With The Wind | Junior Brown | A Major | 6 | 11B | 111 BPM | ||
| (An Empty Bottle, A Broken Heart) You're Still On My Mind | Jeff Chance | A Major | 4 | 11B | 109 BPM | ||
| Little Ole Wine Drinker Me | Charlie Walker | G Major | 4 | 9B | 138 BPM | ||
| The Wound | Martin Delray | A Major | 2 | 11B | 114 BPM | ||
| Murder On Music Row | David Frizzell | A Major | 1 | 11B | 104 BPM | ||
| There Must Be Another Way To Live | Amber Digby | C Major | 4 | 8B | 128 BPM |