Ron Pope's ' "Headlights on the Highway" was released on its scheduled release date, July 14, 2008. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Headlights on the Highway's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Bedroom Demos". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Headlights on the Highway's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Headlights on the Highway by Ron Pope having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stop | Dalton Rapattoni | C Major | 2 | 8B | 82 BPM | ||
| Please Don't Leave Quite Yet | Adam Agin | E Major | 5 | 12B | 121 BPM | ||
| Make the Call | Plàsi | D♭ Major | 2 | 3B | 142 BPM | ||
| Song for the Waiting | Aron Wright | G Major | 3 | 9B | 130 BPM | ||
| Miles & Miles | Matthew Mayfield | D Major | 5 | 10B | 95 BPM | ||
| Heartbreak | Us The Duo | E Major | 3 | 12B | 136 BPM | ||
| On a Night Like This | Dave Barnes | F♯ Major | 1 | 2B | 135 BPM | ||
| Banner - Acoustic | Lights | D Major | 3 | 10B | 145 BPM | ||
| Cinnamon | Ron Pope | E♭ Major | 3 | 5B | 82 BPM | ||
| Little Dancer | Leroy Sanchez | B♭ Major | 4 | 6B | 148 BPM | ||
| I Don't Want to Leave | Matthew Perryman Jones | G Major | 2 | 9B | 118 BPM | ||
| Always Midnight | Pat Monahan | E Major | 3 | 12B | 131 BPM | ||
| I Will Not Take My Love Away | Matt Wertz | B Major | 1 | 1B | 170 BPM | ||
| Requiem - Acoustic Version | Ulrik Munther | D Major | 2 | 10B | 118 BPM | ||
| Moonshine | Sara Haze | D♭ Major | 6 | 3B | 83 BPM | ||
| Beautiful Disaster | Jon McLaughlin | G Major | 7 | 9B | 156 BPM | ||
| Come to California | Ron Pope | A Major | 5 | 11B | 155 BPM | ||
| What If You Don't | Go Radio | C Major | 3 | 8B | 115 BPM | ||
| Never Had | Oscar Isaac | F♯ Major | 4 | 2B | 142 BPM | ||
| She Will Stay Beneath the Moon | Adam Barnes | F♯ Major | 8 | 2B | 142 BPM | ||
| Come Back Home | Matthew Mayfield | B♭ Major | 7 | 6B | 97 BPM | ||
| Wrap Your Arms Around Me | Gareth Dunlop | D Major | 6 | 10B | 176 BPM | ||
| Stealing Cars | James Bay | E♭ Minor | 2 | 2A | 88 BPM | ||
| Your Song - EP Version | Mayday Parade | C Major | 5 | 8B | 145 BPM | ||
| Prove You Wrong - Live Acoustic | He Is We | B♭ Major | 5 | 6B | 116 BPM |