"Suite Two: Privet Drive" by Bobby Ray Simmons, Jr., Clarence Montgomery, III, Imogen Heap, Love the Earth had its release date on November 2, 2018. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 42 in the song's album "The Music of Harry Potter and the Cursed Child - In Four Contemporary Suites". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Suite Two: Privet Drive is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite Two: Privet Drive by Bobby Ray Simmons, Jr., Clarence Montgomery, III, Imogen Heap, Love the Earth having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| City of Light | Dorian Behner | B♭ Major | 1 | 6B | 100 BPM | ||
| Love All | Paul Smith, Christophe Duquesne, Teena Lyle, Daniela Mars, Neil Valentine | D Major | 0 | 10B | 61 BPM | ||
| As the Crow Flies | Timothy Vajda | E Minor | 2 | 9A | 144 BPM | ||
| Dear Kitt | Lindsay Dills | F♯ Major | 1 | 2B | 151 BPM | ||
| Possible | Zoë Keating | G Major | 2 | 9B | 132 BPM | ||
| The Derry Tune | Kila | C Major | 3 | 8B | 192 BPM | ||
| From Western Woods to Beaversdam | Harry Gregson-Williams | F Minor | 1 | 4A | 75 BPM | ||
| Deal With It - Demo | Frou Frou, Imogen Heap, Guy Sigsworth | D Major | 8 | 10B | 177 BPM | ||
| Fjället | Joel Bille | G Minor | 1 | 6A | 80 BPM | ||
| Song of the Lost Girl - Kara | Philip Sheppard | B♭ Major | 4 | 6B | 147 BPM | ||
| Direhorses | Cirque du Soleil | E Minor | 6 | 9A | 105 BPM | ||
| You Are Like a Dream I Had | Steven Price | E Minor | 1 | 9A | 73 BPM | ||
| The Blitz, 1940 | Harry Gregson-Williams | A♭ Major | 5 | 4B | 126 BPM | ||
| You Have The True Spirit of A Lady | Steven Price | B♭ Minor | 1 | 3A | 90 BPM | ||
| Suspects | Ólafur Arnalds | E♭ Minor | 3 | 2A | 145 BPM | ||
| I'm Going To Drive Until It Burns My Bones | Ursine Vulpine | B♭ Major | 4 | 6B | 80 BPM | ||
| Descent - Edge of the Abyss | Trevor Morris | C Minor | 3 | 5A | 34 BPM | ||
| Lamia's Doll | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | A Major | 3 | 11B | 87 BPM | ||
| Parliament Of Owls | Agnes Obel | B Minor | 2 | 10A | 119 BPM | ||
| Switch Shoes to the Wrong Feet | Son Lux | B♭ Major | 3 | 6B | 143 BPM | ||
| It's Happening | Adam Taylor | C Major | 0 | 8B | 86 BPM | ||
| Fool's Paradise: I | Joby Talbot, Christopher Austin, Royal Philharmonic Orchestra | B Minor | 0 | 10A | 88 BPM | ||
| In Hushed Whispers | Trevor Morris | E♭ Minor | 2 | 2A | 73 BPM | ||
| Chasm Kata | Michael James Bahnmiller, The Black Piper, Abby Khalek, Aeralie Brighton, Rosalie Mcmillan | G Minor | 3 | 6A | 111 BPM | ||
| Lissa’s theme - From "Best Laid Plans" | Craig Armstrong, Brussels Philharmonic, Dirk Brossé | D♭ Minor | 1 | 12A | 82 BPM |