Another Music Library, Lori Jean Steele's ' "Tis I Whose Synth Have Bound Thee" was released on its scheduled release date, June 1, 2018. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Tis I Whose Synth Have Bound Thee's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Synth Pop". In this album, this song's track order is #8. Based on our statistics, Tis I Whose Synth Have Bound Thee's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Tis I Whose Synth Have Bound Thee by Another Music Library, Lori Jean Steele having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Live or Die | Nathan Hanover Synthonic Orchestra | B♭ Major | 6 | 6B | 136 BPM | ||
| Twilight Bloom | Nova Zhara | D Major | 6 | 10B | 97 BPM | ||
| Complicaciones | Caos Ancestral | B Minor | 3 | 10A | 179 BPM | ||
| Repetitive Reeding | Another Music Library, Alfredo R., Esparza | F♯ Major | 7 | 2B | 125 BPM | ||
| In All Its Splendor | Joris de Man | A♭ Major | 3 | 4B | 160 BPM | ||
| Of It | Danger4beat$ | F Major | 2 | 7B | 110 BPM | ||
| The Backrooms | Dapper Husky | D Major | 2 | 10B | 90 BPM | ||
| En Contra | Caos Ancestral | F Minor | 1 | 4A | 170 BPM | ||
| Gentle Resolve | Another Music Library, Jeffrey R., Whitcher | D♭ Major | 6 | 3B | 134 BPM | ||
| Perfiles Cumplidores | Las Guerreras | A Major | 3 | 11B | 93 BPM | ||
| Kanpai! | Adrian Von Ziegler | G Major | 6 | 9B | 160 BPM | ||
| Heroism and Rejection | Jeremy Zuckerman | A Minor | 6 | 8A | 170 BPM | ||
| The Floating Continent (Jungle) | Jonathan Geer | D♭ Major | 4 | 3B | 75 BPM | ||
| Remind Me | Alexis han | E Minor | 6 | 9A | 171 BPM | ||
| Catatonic | Hans Zimmer | G Major | 2 | 9B | 142 BPM | ||
| Ramattra Origin | Adam Burgess, David Arkenstone, Overwatch, Blizzard Entertainment | D Major | 3 | 10B | 179 BPM | ||
| Inner Peace | Amber Dawn Hilton | E♭ Major | 5 | 5B | 107 BPM | ||
| War Zone | Nobuko Toda, Shuichi Kobori, Kazuma Jinnouchi | G Major | 9 | 9B | 136 BPM | ||
| Describing the Car Crash (From "Dance Moms") | John Balcom | G Major | 2 | 9B | 148 BPM | ||
| Jack Final Boss - Original OST | Sascha Dikiciyan, Cris Velasco | D Major | 3 | 10B | 162 BPM | ||
| Night Rainbow | Diana Anderson | C Minor | 4 | 5A | 164 BPM | ||
| Ambients | Daniel Licht | E Minor | 1 | 9A | 89 BPM | ||
| Enemy at the Gates | Soundscape | B♭ Major | 3 | 6B | 117 BPM | ||
| Welcome to Fyrestone | Jesper Kyd | A♭ Minor | 2 | 1A | 90 BPM | ||
| Thynk Unlimited | Screamthat | D♭ Major | 1 | 3B | 130 BPM |