"Nocturne I" by Tom Ashbrook had its release date on June 30, 2023. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Nocturne I's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Nocturnes". In this album, this song's track order is #2. Nocturne I is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nocturne I by Tom Ashbrook having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Razor Wires in the Black Earth | Natalia Tsupryk | E♭ Major | 3 | 5B | 138 BPM | ||
| Gloaming | Angus MacRae | F Minor | 3 | 4A | 82 BPM | ||
| Moon Language | Chelsea McGough | F Major | 2 | 7B | 115 BPM | ||
| We Became Winter | Vetle Nærø | A♭ Minor | 0 | 1A | 98 BPM | ||
| Video Tape - From "Surface" | Ólafur Arnalds | A♭ Minor | 0 | 1A | 113 BPM | ||
| Cymatic Love Spiral - Pt. 2 | Dustin O'Halloran, Bryan Senti, Budapest Art Orchestra | C Major | 2 | 8B | 45 BPM | ||
| Patsy - Instrumental | Rachel Grimes | B Minor | 2 | 10A | 99 BPM | ||
| Orion II | Peter Sandberg | C Minor | 1 | 5A | 58 BPM | ||
| Balance | James Heather | G Minor | 0 | 6A | 77 BPM | ||
| A million thoughts at once | Thomas James White | C Minor | 2 | 5A | 91 BPM | ||
| Nuage II | Sylvain Chauveau | F Major | 1 | 7B | 77 BPM | ||
| Offline | Alex Kozobolis | B Minor | 2 | 10A | 83 BPM | ||
| Worlds Collide | Vetle Nærø | A♭ Minor | 1 | 1A | 147 BPM | ||
| Night Sky | Fyfe, Iskra Strings | E Minor | 0 | 9A | 116 BPM | ||
| GHOST OF YOU | Distant Cowboy | F Major | 1 | 7B | 70 BPM | ||
| In Retrospect | Jacob Mühlrad | C Minor | 2 | 5A | 72 BPM | ||
| They Seem To Be Part Of Us | Alex Kozobolis | F♯ Minor | 1 | 11A | 104 BPM | ||
| Opal | Felix Rösch | F Minor | 2 | 4A | 102 BPM | ||
| Where'd You Go? | BAILE | B♭ Minor | 7 | 3A | 140 BPM | ||
| Llŷr - OUTER Rework | Illuminine, OUTER | G Major | 0 | 9B | 126 BPM | ||
| Runddans | Julia Gjertsen | D Minor | 0 | 7A | 66 BPM | ||
| No Shores, Only Horizons | Kyle Preston | A♭ Major | 2 | 4B | 91 BPM | ||
| We Were Landed, We Were Landing Gently We Landed (uncut) | VLMV | F♯ Minor | 2 | 11A | 108 BPM | ||
| Berceuse | Felix Rösch | C Minor | 0 | 5A | 130 BPM | ||
| Harmonic Dream Sequence - Pt. 4 | Dustin O'Halloran, Paul Corley | F♯ Major | 1 | 2B | 94 BPM |