Jacques Prévert's 'Dimanche' had a release date set for January 1, 1955. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jacques Prévert's "Jacques Prévert dit "Paroles"" album is number 1 out of 20. On top of that, France appears to be the country where this track was created. Based on our statistics, Dimanche's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Dimanche by Jacques Prévert to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Clowns | Giani Esposito | B♭ Major | 0 | 6B | 77 BPM | ||
| Chante chante chante - Studio Version | Philippe Elan, Gregor Bak | E Major | 2 | 12B | 84 BPM | ||
| Under the Bridges of Paris | L'Accordeoniste | A Major | 3 | 11B | 189 BPM | ||
| Madrid Madrid | Nilda Fernandez | A Minor | 4 | 8A | 130 BPM | ||
| Nadjejda | Georges Moustaki | A♭ Minor | 2 | 1A | 118 BPM | ||
| Misa Tango: IV. Sanctus | MartÍn Palmeri, Astoria, Philippe Gérard | F Major | 1 | 7B | 79 BPM | ||
| Les bruits de la nuit | Jacques Prévert | D Major | 2 | 10B | 81 BPM | ||
| Irma la Douce | Colette Renard | B♭ Major | 1 | 6B | 56 BPM | ||
| Mon amour | Nilda Fernandez | C Major | 0 | 8B | 78 BPM | ||
| Le Panthéon - J’ai deux amours | Félicien Brut | A Minor | 1 | 8A | 65 BPM | ||
| Ma solitude | Georges Moustaki | A Major | 4 | 11B | 121 BPM | ||
| Ave Maria, D. 839 | Franz Schubert, Jessye Norman, Ambrosian Singers, Christopher Bowers-Broadbent, Royal Philharmonic Orchestra, Sir Alexander Gibson | A♭ Major | 0 | 4B | 178 BPM | ||
| Je vieillis | Camille Bertault, Charlotte Haesen, Café des Chansons | E Major | 2 | 12B | 84 BPM | ||
| Descanso de Mi Vida - Remastered | Sofía Nöel, Segundo Pastor | D Minor | 2 | 7A | 130 BPM | ||
| Bizet: Les pêcheurs de perles, WD 13, Act 1: "Je crois entendre encore" (Nadir) | Georges Bizet, Pierre Dervaux, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | A Minor | 1 | 8A | 88 BPM | ||
| Ballade en novembre | Anne Vanderlove | E Major | 2 | 12B | 138 BPM | ||
| Les Clés De La Ville | Jacques Prévert | C Major | 1 | 8B | 127 BPM | ||
| A Major | 1 | 11B | 121 BPM | ||||
| Maometto II, Act 3 Scene 5: Giusto Ciel (Arr. for Countertenor & String Quartet by Eric Mouret) | Gioachino Rossini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Gens De Plume | Jacques Prévert | G Major | 4 | 9B | 66 BPM | ||
| Mon Coer S'ouvre a Ta Voix - Camille Saint Saëns/F. Lemaire | Guadalupe Pineda | D♭ Major | 3 | 3B | 63 BPM | ||
| Et Ta Soeur | Jacques Prévert | E Minor | 3 | 9A | 161 BPM | ||
| Marechiaro | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | D Major | 2 | 10B | 77 BPM | ||
| Qu'est-ce que tu crois ? | Julien Clerc, Carla Bruni | C Major | 3 | 8B | 126 BPM | ||
| El Eco Del Bar Sin Nombre | Lyra Estavielle | D Minor | 2 | 7A | 151 BPM |