"The Intimate Grammar" by Ondřej Soukup had its release date on April 29, 2011. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 56 in the song's album "Platinum Collection". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Czechia. Based on our statistics, The Intimate Grammar's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Intimate Grammar by Ondřej Soukup having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tema di Jane | Claudio Capponi, Alessio Vlad | D Major | 2 | 10B | 82 BPM | ||
| Der kleine Hape | Niki Reiser | E Minor | 2 | 9A | 176 BPM | ||
| Invocation (monologue de Krzysztof Kolberger) | Wojciech Kilar | F Major | 2 | 7B | 89 BPM | ||
| Existence | Martin Dejdar, Karel Greif, Ondřej Soukup | B Minor | 5 | 10A | 127 BPM | ||
| Roma - Versione 4 | Andrea Guerra | G Minor | 1 | 6A | 89 BPM | ||
| Music of My Moments | Sibille Crawford, Brittanni Kia, Jake Brody, Royal Philarmonic Cunes | G Major | 3 | 9B | 120 BPM | ||
| Lost in Time | Milena Korkova, Mila Korr | G Major | 2 | 9B | 70 BPM | ||
| Vyznání | Prazsky Vyber, Jan Žižka, Ondřej Soukup, Jiří Niederle, Michael Kocáb, Zdeněk Fišer | F Minor | 6 | 4A | 126 BPM | ||
| Invocation | Wojciech Kilar | A Major | 2 | 11B | 58 BPM | ||
| Realidades Sin Igual | Las Eternas | E Minor | 9 | 9A | 105 BPM | ||
| Ecce Homo | Corpus Dominix | D♭ Minor | 3 | 12A | 130 BPM | ||
| Le style du Barry | Stephen Warbeck | G Minor | 2 | 6A | 79 BPM | ||
| Boxer's Infatuation | Antony Partos | F Major | 1 | 7B | 70 BPM | ||
| Tadeusz et Zosia | Wojciech Kilar | G Major | 4 | 9B | 78 BPM | ||
| Austerlitz | Jan A.P. Kaczmarek | D♭ Major | 3 | 3B | 179 BPM | ||
| Auslaufen | Klaus Doldinger | D Minor | 2 | 7A | 127 BPM | ||
| Morning Sun, Evening Star - Instrumental version | Miro Žbirka, Karlovarský Symfonický Orchestr | A Major | 2 | 11B | 72 BPM | ||
| Next To My Diary | Ria Mbanefo | B♭ Major | 3 | 6B | 85 BPM | ||
| Kauffman | Fernando Velázquez | G Minor | 0 | 6A | 86 BPM | ||
| Tenerife | Gracy Westwood, Grace Westwood | D♭ Major | 2 | 3B | 83 BPM | ||
| Onegin's Toast (from "Onegin") | Georgiy Zheryakov, Baltic Symphony Orchestra | A Minor | 2 | 8A | 82 BPM | ||
| An Everlasting Gobstopper and a Shivery Smile - from "To Olivia" | Dirk Brossé, Brussels Philharmonic, Debbie Wiseman | F Major | 5 | 7B | 84 BPM | ||
| Matriz | Vexel Mode | D Major | 3 | 10B | 94 BPM | ||
| Forbidden Love | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Major | 1 | 10B | 77 BPM | ||
| The Grand Ball | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 126 BPM |