Ludwig van Beethoven, Finnish Radio Symphony Orchestra, Hannu Lintu, Stephen Hough's 'Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro ma non troppo' had a release date set for May 1, 2020. This song appears to be safe for all ages as it is not explicit. The song is number 3 out of 15 in Beethoven: Piano Concertos Nos. 1-5 by Ludwig van Beethoven, Stephen Hough, Finnish Radio Symphony Orchestra, Hannu Lintu. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro ma non troppo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro ma non troppo by Ludwig van Beethoven, Finnish Radio Symphony Orchestra, Hannu Lintu, Stephen Hough is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Waltz No. 9 in A-Flat Major, Op. 69 No. 1 "Farewell" | Frédéric Chopin, Stephen Hough | E♭ Major | 0 | 5B | 72 BPM | ||
| Fidelio, Op. 72: Overture | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 116 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
| Weber: Der Freischütz, Op. 77, J. 277: Overture | Carl Maria von Weber, Herbert von Karajan, Berliner Philharmoniker | C Major | 1 | 8B | 109 BPM | ||
| Lyric Pieces, Book 5, Op. 54: No. 3, March of the Trolls | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
| Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM | ||
| Giselle / Act 1: Introduction | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 135 BPM | ||
| Moments musicaux, D. 780: No. 3 in F Minor. Allegro moderato | Franz Schubert, Steven Osborne | B♭ Major | 0 | 6B | 49 BPM | ||
| Le Grand Cahier: X. L'Incendie | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | D♭ Major | 1 | 3B | 80 BPM | ||
| Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
| Symphony No. 5 in D Minor, Op. 107, MWV N15 "Reformation": III. Andante | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | G Minor | 0 | 6A | 67 BPM | ||
| Overture "The Italian Girl in Algiers: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 79 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 97 BPM | ||
| 8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
| Don Giovanni, K. 527: Overture | Wolfgang Amadeus Mozart, Le Concert de la Loge, Julien Chauvin | A Major | 9 | 11B | 121 BPM | ||
| Symphony No. 7 in D Minor, Op. 70, B. 141: II. Poco adagio | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
| Elfentanz, Op. 39 - Dance of the Elves | David Popper, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | G Major | 4 | 9B | 96 BPM | ||
| String Quartet in D Minor, D. 810 "Death and the Maiden": I. Allegro - Arr. by Gustav Mahler | Franz Schubert, Metamorphose String Orchestra, Pavel Lyubomudrov | D Minor | 2 | 7A | 125 BPM | ||
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | ||
| Tristan und Isolde, Act III: Liebestod (Concert Version) | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
| Symphony No. 1 in D Major, Op. 25: I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
| Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro | Ludwig van Beethoven, Pierre-Laurent Aimard, Nikolaus Harnoncourt, Chamber Orchestra of Europe | C Minor | 1 | 5A | 112 BPM | ||
| Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro - Live at Philharmonie, Berlin, 1993 | Ludwig van Beethoven, Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | E♭ Major | 2 | 5B | 87 BPM | ||
| Beethoven: Choral Fantasy in C Minor, Op. 80: II. Finale | Ludwig van Beethoven, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Pierre-Laurent Aimard, Chamber Orchestra of Europe | C Major | 2 | 8B | 79 BPM |