Fernando De La Morena, Spain's ' "Bulerías" was released on its scheduled release date, September 9, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 10 in Ecos de la Bienal de Arte Flamenco Sevilla 2000 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Bulerías is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bulerías by Fernando De La Morena, Spain is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alegrías Lenta: Cante, Baile y Guitarra | El Trini, Remedios Reyes, Victor M. Rosa | F Minor | 5 | 4A | 91 BPM | ||
| Torre Del Viento(Bulerías) Pa El Maestro De Lucía | Remedios Amaya | A♭ Major | 4 | 4B | 116 BPM | ||
| Gitana de Ojos Negros - Folklore Bulerías | Aurora Vargas | D Major | 5 | 10B | 76 BPM | ||
| Alegrías: Castellana | Juan María Real, Ana Real, Manuel Salado | F Minor | 3 | 4A | 94 BPM | ||
| Pecado (Bolero por Bulerías) | Alicia Gil | E Minor | 5 | 9A | 105 BPM | ||
| Mírala Bien (Bulerías) | Juan Moneo 'El Torta' | D♭ Minor | 7 | 12A | 111 BPM | ||
| Nueve Lunas en Sus Entrañas - Bulerías de Cádiz | Jimenez Rejano | D Major | 6 | 10B | 149 BPM | ||
| De Puerta En Puerta - Tangos | Marina Heredia | F♯ Major | 5 | 2B | 142 BPM | ||
| Quien Tiene Pena - Tangos De Frijones | Antonio Mairena | B♭ Major | 2 | 6B | 83 BPM | ||
| Zarzillos de coral | Remedios Amaya | B Major | 8 | 1B | 167 BPM | ||
| Despacito y Buena Letra | Los De La Morena | B♭ Major | 6 | 6B | 109 BPM | ||
| Alegrías de Córdoba: Cante, Guitarra y Compás | El Trini, Victor M. Rosa, Rafael García, Mariló García, Lurdes García | C Major | 8 | 8B | 112 BPM | ||
| Soleá Por Bulerias | Naike | F Minor | 4 | 4A | 144 BPM | ||
| Rompiendo el silencio - Bulería | Remedios Amaya | A♭ Major | 4 | 4B | 105 BPM | ||
| Fina como el terciopelo - Bulerías | Juanito Villar | D♭ Major | 3 | 3B | 115 BPM | ||
| Como Caballo Sin Freno | Camarón | E Major | 4 | 12B | 126 BPM | ||
| Tangos de Pastora - Conmigo | Tomasa La Macanita, Moraito, Parrilla de Jerez | A♭ Minor | 7 | 1A | 100 BPM | ||
| La Capitana (Alegrías) | Beni de Cádiz | E Major | 6 | 12B | 167 BPM | ||
| Yo No Lo Entiendo | La Chiqui | A♭ Major | 6 | 4B | 102 BPM | ||
| El Sitio Donde Te Hablé (Bulerías) | Tomasa La Macanita, Moraito Chico | A♭ Minor | 4 | 1A | 127 BPM | ||
| Miel y Sal | Diego Amador | A♭ Major | 6 | 4B | 165 BPM | ||
| Amaneció. Bulerías | Juanito Villar | E Minor | 7 | 9A | 115 BPM | ||
| A Voces Te Estoy Llamando (Bulerías) | Manuel Valencia, Ezequiel Benítez | D♭ Major | 5 | 3B | 109 BPM | ||
| Las Alas Del Corazón - Tangos | Fosforito | E Minor | 6 | 9A | 84 BPM | ||
| Garrotín: Cante, Baile y Guitarra | El Trini, José Manuel Flores, Victor M. Rosa, Mariló García, Lurdes García | B♭ Major | 7 | 6B | 109 BPM |