Overload's ' "Going All The Way - Radio Edit" was released on its scheduled release date, October 17, 2016. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Going All The Way - Radio Edit's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 59 in the song's album "Odyssey: The Complete Paul King Stream Collection, Vol. 1". In this album, this song's track order is #53. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Going All The Way - Radio Edit's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Going All The Way - Radio Edit by Overload having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Channa - Studio Recording | Atif Aslam, Rohail Hyatt | E Minor | 7 | 9A | 98 BPM | ||
| Bhool (Original Motion Picture Soundtrack) | Quratulain Balouch | G Minor | 6 | 6A | 80 BPM | ||
| Main Mast Hoon (Dhamal) | Jal | F♯ Minor | 8 | 11A | 116 BPM | ||
| Naina Roye | MASUMA ANWAR | G Major | 10 | 9B | 150 BPM | ||
| Woh Raat | Saad Saleem, HAVI, Haider Abbas | E♭ Major | 2 | 5B | 153 BPM | ||
| Bandeya - Reprised Version | Soch, Adnan Dhool, Rabi Ahmed | D♭ Minor | 2 | 12A | 84 BPM | ||
| Janaan Janaan | Vital Signs | E Major | 8 | 12B | 115 BPM | ||
| Nishaan | Call | A Minor | 6 | 8A | 145 BPM | ||
| Alright! - Overload's Retoxicated Remix - Radio Edit | F1, Overload | D♭ Major | 10 | 3B | 150 BPM | ||
| Raat | Auj | E Minor | 5 | 9A | 120 BPM | ||
| Dil Haray Pukaray | Jal | F Minor | 4 | 4A | 130 BPM | ||
| Aankhon Ko Aankhon Ne | Junaid Jamshed | F Major | 6 | 7B | 150 BPM | ||
| Khush Piya Wassen | Tina Sani | A♭ Minor | 7 | 1A | 106 BPM | ||
| Naina | Kamli The Film, Sohail Shahzad, Saad Sultan | E♭ Major | 5 | 5B | 178 BPM | ||
| Ae Ishq Hamen Barbad | Nayyara Noor | D♭ Minor | 4 | 12A | 83 BPM | ||
| Alif Allah (feat. Adnan Dhool & Rabi Ahmed) | Soch the Band, Adnan Dhool, Rabi Ahmed | D♭ Minor | 4 | 12A | 67 BPM | ||
| Laqeer Ke Faqeer - Mithu Donda | SomeWhatSuper | A Major | 5 | 11B | 118 BPM | ||
| Hai Kahan Ka Irada Tumhara Sanam | Khalid Khan Qawal, COSMO SOCIAL | G Major | 5 | 9B | 100 BPM | ||
| Nukta | Dhool | G Minor | 6 | 6A | 178 BPM | ||
| Tera Tay Mera | Shiraz Uppal | A♭ Major | 8 | 4B | 132 BPM | ||
| Chiryan Da Chamba - Coke Studio Season 8 | Suraiya Khanum, Anwar Maqsood | B♭ Minor | 8 | 3A | 168 BPM | ||
| Hai Jaga Hai Jaga | Jal | A Major | 8 | 11B | 94 BPM | ||
| KYUN | Karakoram, Hasan Raheem | A Minor | 6 | 8A | 146 BPM | ||
| Luddi Hai Jamalo - Coke Studio Season 11 | Ali Sethi, Humaira Arshad | C Major | 7 | 8B | 124 BPM | ||
| Charkha Nolakha - Studio Recording | Atif Aslam, Qayaas, Rohail Hyatt | A♭ Minor | 8 | 1A | 148 BPM |