Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon's 'Overture in D Major, Op. 8, No. 4: I. Allegro' had a release date set for March 1, 2006. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 27 in Arnold, S.: 6 Overtures, Op. 8 / Macbeth (Incidental Music) by Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Overture in D Major, Op. 8, No. 4: I. Allegro is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Overture in D Major, Op. 8, No. 4: I. Allegro by Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in A Major: IV. Finale | Adalbert Gyrowetz, London Mozart Players, Howard Griffiths | A Major | 2 | 11B | 75 BPM | ||
| Keyboard Concerto in D Major, Op. 7, No. 3, W. C57: I. Allegro con spirito | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | A Major | 1 | 11B | 134 BPM | ||
| 6 Hungarian Dances: No. 5, Andante | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | E♭ Major | 0 | 5B | 108 BPM | ||
| Reutter: Servizio di tavola | Johann Georg Reutter, Theodor Guschlbauer, The Wiener Barockensemble | C Major | 2 | 8B | 111 BPM | ||
| Symphony in D Major: II. Andantino | Samuel Wesley, Matthias Bamert, London Mozart Players | G Minor | 0 | 6A | 82 BPM | ||
| Symphony in E-Flat Major, Op. 3, No. 3, W. C3: I. Allegro di molto | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | E♭ Major | 2 | 5B | 80 BPM | ||
| Symphony in G Minor, Op. 22 No. 3, P. I:5: III. Presto | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Minor | 1 | 6A | 143 BPM | ||
| Concerto per violino N.2 in E Major, G44: Adagio | Giovanni Battista Viotti, Martha Carfi, Luis Michal, Bayerisches Kammerorchester München | A Major | 1 | 11B | 170 BPM | ||
| Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
| El rapto de las Sabinas, Suite No. 2, Acto II, No. 14: Maestoso | Joan Enric Lluna, Moonwinds | E♭ Major | 1 | 5B | 135 BPM | ||
| Ottocento | LallaOff | G Major | 4 | 9B | 103 BPM | ||
| Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo | Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel | B♭ Major | 0 | 6B | 88 BPM | ||
| Piano Concerto No. 4 in G Minor: I. Allegro | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | E♭ Major | 2 | 5B | 135 BPM | ||
| The Creatures of Prometheus, Op. 43: x. Sinfonia Concertante: Andante; Allegro | Beethoven, Maurice Abravanel, Utah Symphony Orchestra | E Minor | 2 | 9A | 82 BPM | ||
| Amour malade: Ritournelle et Chanson Contre les Jaloux | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 82 BPM | ||
| Mozart: Sinfonia concertante in E-Flat Major, K. 297b: III. Andantino con variazioni: (k) Variation X. Adagio | Emmanuel Pahud, Gilbert Audin, Radovan Vlatkovic | C Major | 4 | 8B | 103 BPM | ||
| Mozart: Concerto for Flute and Harp in C Major, K. 299: III. Rondeau. Allegro, Pt. 6 | Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | D Major | 5 | 10B | 171 BPM | ||
| Symphony in C Major, Op. 2 No. 3 "The Chaplet": I. Allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 3 | 10B | 129 BPM | ||
| Symphony No. 1 in E Major: II. Andantino | John Abraham Fisher, Czech Philharmonic Chamber Orchestra, Petra Žďárská, Michael Halasz | A Major | 0 | 11B | 112 BPM | ||
| Symphony No. 50 in D Minor, Op. 10, No. 5: Symphony No. 50 in D Minor: I. Allegro non tanto | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Major | 0 | 10B | 91 BPM | ||
| Concerto Grosso in G Minor, Op. 3, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E♭ Major | 1 | 5B | 130 BPM | ||
| Symphony No. 6 in F Major, Op. 2, "Solomon": I. Largo - Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 103 BPM | ||
| Symphony in D Major, Op. 3, No. 2: III. Menuetto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | D Major | 0 | 10B | 80 BPM | ||
| Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 -Chi vole aver felice e lieto il core, 'cantato à voce piena, alla francese' (sv162) | Claudio Monteverdi / Guarini (t), Alfred Deller, Deller Consort | E♭ Major | 1 | 5B | 84 BPM | ||
| Overture in D Major, Op. 8, No. 6: I. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 2 | 10B | 148 BPM |