On January 1, 1994, the song "Allah Sadiyan We Muradan" was released by Naseebo Lal. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 10 in Dholna by Naseebo Lal. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Allah Sadiyan We Muradan is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Allah Sadiyan We Muradan by Naseebo Lal is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Challi Hogai Sohnia Ve | Azra Jehan | G Major | 9 | 9B | 100 BPM | ||
| Ni Aj Mera Ji Karda | Nooran Lal | D♭ Major | 9 | 3B | 117 BPM | ||
| Teekhe Naina Wali Kuri | Amir Jamal | B♭ Minor | 8 | 3A | 100 BPM | ||
| Nit Naveyan De Naal | Davinder Kohinoor | F♯ Major | 6 | 2B | 112 BPM | ||
| Dhola Sada Dil | Basit Naeemi | F Minor | 8 | 4A | 170 BPM | ||
| Kyon Pardes Ni Wasaye | Ahmed Nawaz Cheena | B Minor | 10 | 10A | 93 BPM | ||
| Gal Na Kare | Surjit Bhular | F♯ Major | 9 | 2B | 125 BPM | ||
| Maa Sunjay Kargai Verhay | Akram Rahi | A Minor | 9 | 8A | 144 BPM | ||
| Mitran Nu Cha Charheya | Sukhbir Rana, Harpreet Walia | F Minor | 9 | 4A | 116 BPM | ||
| Chalreh Chalreh - Slowed Reverb | Shafaullah Khan Rokhri | B Minor | 7 | 10A | 125 BPM | ||
| Beqadre | Qamar Shahpuria | A Major | 8 | 11B | 180 BPM | ||
| Lakh Qehar Kama | Rani Randeep | G Major | 9 | 9B | 122 BPM | ||
| Mahia Ve Bangla Puwade | Nooran Lal | C Major | 9 | 8B | 92 BPM | ||
| Eivain Rusia Na Kar | Maratab Ali | G Major | 6 | 9B | 105 BPM | ||
| Dil Sulagta Raha | Sufi-Punjabi | D Minor | 6 | 7A | 112 BPM | ||
| Waal Kaale Te Hik Chitti - Kudiyan Shehar Diyan | Naseebo Lal, Amirali | D♭ Major | 9 | 3B | 123 BPM | ||
| Sehre Wala | Masha Ali | C Major | 10 | 8B | 128 BPM | ||
| Paledaar | Rakesh Rocky, Arti Bhagat | A♭ Major | 8 | 4B | 82 BPM | ||
| Mery Piyar Tay Hasdy Loko | Ahmad Nawaz Cheena | B Minor | 9 | 10A | 109 BPM | ||
| Chal Malanga Chal | Hassan Sadiq | D♭ Major | 6 | 3B | 124 BPM | ||
| Sada Piyar Purana Hey | Wajid Ali Baghdadi | D♭ Minor | 9 | 12A | 130 BPM | ||
| Ajj Main Bhangra Pauna | Brother Satnam Bhatti | A♭ Major | 6 | 4B | 125 BPM | ||
| Darbar Jaudeo Bhagto | Narendra Chanchal | D♭ Major | 9 | 3B | 95 BPM | ||
| Likhiyan Taqdeeran Da | Maratab Ali, Naseebo Lal | F Minor | 7 | 4A | 88 BPM | ||
| Jay Main Penda Han Sharab | Shafullah Khan Rokhrhi | C Minor | 3 | 5A | 160 BPM |