- BPM
- 82
- Key
- C Major
- Camelot
- 8B
Aprile by Katia Ricciarelli Song Details
"Aprile" by Katia Ricciarelli had its release date on April 26, 2012. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Serenata". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Italy. Aprile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Aprile by Katia Ricciarelli having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -11.102 dB
- Acousticness
- 98%
- Danceability
- 35%
- Energy
- 28%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 81%
- Speechiness
- 4%
- Valence
- 17%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Golden Cockerel: Hymn to the Sun | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | A Major | 2 | 11B | 70 BPM | |
 | Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | |
 | La donna del lago: Act I, Scene 5 - Sei già sposa? | Gioachino Rossini, Maurizio Pollini, Chamber Orchestra of Europe, Dalmacio Gonzales, Katia Ricciarelli | B♭ Major | 0 | 6B | 125 BPM | |
 | Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | |
 | Rossini: Il barbiere di Siviglia, Act 2: Sestetto. "Fredda ed immobile" (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | D Major | 1 | 10B | 80 BPM | |
 | Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | |
 | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Er überwächst uns schon | Gustav Mahler, Izabella Kłosińska, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | |
 | La Gioconda / Act 1: Voce di donna ... a te questo rosario | Amilcare Ponchielli, Alfreda Hodgson, Montserrat Caballé, Agnes Baltsa, Regolo Romani, John del Carlo, Nicolai Ghiaurov, Luciano Pavarotti, National Philharmonic Orchestra, Bruno Bartoletti | E♭ Major | 1 | 5B | 89 BPM | |
 | Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | |
![Prince Igor (Knyaz Igor), Act II: Myedlenno dyn' ugasal [Slowly the day was fading] [Vladimir] by Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar](https://i.scdn.co/image/ab67616d00001e02862fbf00d20b949fad08de91) | Prince Igor (Knyaz Igor), Act II: Myedlenno dyn' ugasal [Slowly the day was fading] [Vladimir] | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A♭ Major | 3 | 4B | 128 BPM | |
 | Pagliacci / Act 1: "I zampognari!" | Ruggero Leoncavallo, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 2 | 8B | 122 BPM | |
 | Die Entführung aus dem Serail / Act 1: "Wer ein Liebchen hat gefunden" - "Verwünscht seist du samt deinem Liede!" | Wolfgang Amadeus Mozart, Gösta Winbergh, Martti Talvela, Heinz Zednik, Wiener Philharmoniker, Sir Georg Solti | G Minor | 2 | 6A | 82 BPM | |
 | Chapí: Las hijas del Zebedeo: "Carceleras" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | A Minor | 2 | 8A | 172 BPM | |
 | Gounod: Faust, Act 3: "Je voudrais bien savoir" - Chanson. "Il était un roi de Thulé" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Carmen / Act 1: Tu la verras! Eh bien! | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 73 BPM | |
| Pagliacci / Act 1: "Cammina adagio" - "Derisione e scherno!" - "Padron! che fate!" | Ruggero Leoncavallo, Ingvar Wixell, Lorenzo Saccomani, Mirella Freni, Luciano Pavarotti, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | G Major | 2 | 9B | 74 BPM | |
 | Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" | Jacques Offenbach, Plácido Domingo, Pedro Di Proenza, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, Orchestre de la Suisse Romande, Richard Bonynge | A Minor | 3 | 8A | 97 BPM | |
 | Offenbach: Les Contes d'Hoffmann, Act I: "Va! pour Kleinzach" (Hoffmann, Nathanaël, Chorus) | Jacques Offenbach, Michael Spyres, Choeur de l'Opéra national du Rhin, Mario Montalbano, Marko Letonja, Orchestre Philharmonique De Strasbourg | G Major | 0 | 9B | 107 BPM | |
| Lucia di Lammermoor / Act 1: "La pietade in suo favore" | Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | |
 | Tosca / Act I: "Ah, quegli occhi..." - "Qual occhio al mondo può star di paro" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 136 BPM | |
 | Benvenuto Cellini / Act I: "Les belles fleures" - "Entre l'amour et le devoir" - Quand j'aurai votre âge | Hector Berlioz, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | A Major | 2 | 11B | 83 BPM | |
 | Così fan tutte, K. 588 / Act I: "E la fede delle femminine" | Wolfgang Amadeus Mozart, Alessandro Corbelli, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E Major | 1 | 12B | 111 BPM | |
| Tosca / Act I: "Tosca? Che non mi veda" / "Mario?! Mario?!" (Scarpia, Tosca, Sagrestano) | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 102 BPM | |
 | Les Pêcheurs de perles, WD 13, Act I: Sur la grève en feu où dort le flot bleu | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Les Cris De Paris | F Major | 4 | 7B | 142 BPM | |
 | Aida - Act 1 (1989 Digital Remaster): Se quel guerrier io fossi!....Celeste Aida | Zubin Mehta, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 2 | 6B | 88 BPM |
- ISRC
- ITD560202075
- Label
- L-M Records/RCA Records